3:2 aspect ratio

A photo from inside the atrium of the Museu d’Art Contemporani de Barcelona.
A figure is lit by glowing embers of a bbq at night. He’s wearing a head torch and looking to the sky. In the background, the last of the daylight is visible on the horizon.
Photo looking up a snowy hillside. Ed is in the foreground holding an axe above his head. The sun is nearly directly behind him.
A footpath sign points from right to left, marking the summit of Whernside, 1.75 miles away.
Multicoloured lines of light in a dark room converge to the bottom right.
Four people walk on rocky and snowy ground in poor visibility.
A photo looking up a steep street / alley in Barcelona. There’s an open-air escalator in the middle and steps either side.
A small faded orange life raft moored on the side of the river Ouse.
A photo taken from behind as Chris walks ahead. The sun is directly ahead causing Chris to be mostly silhouette with brightly lit edges of his body. The surrounding countryside is fresh with evergreen trees and a snowy mountain in the background.
A hand holding the remains of a crab’s claw
A stone wall recedes up and in to the distance. Chris stands at the far end looking out over one side.
Chris reaches up to a large cantilevered overhanging him.
A photo of an autumnal red maple tree with yellow maple leaves in the background.
Looking through some green vines to the interior of a large greenhouse.
A paraglider stands on the ground with a large sail inflated overhead.
The front entrance to Hammersmith Town Hall. The entrance has staircases on either side.
A small piece of beef sits on a plate green vinaigrette and a glass of beer in the background.
A photo looking straight down the covered Beech Street. The entire ceiling is covered with a patchwork of bright projected colours.
The ceiling in the Bloomberg building. There’s a staircase curving around it.
A view inside an art installation at the Vitra Design Museum. There’s mirrors ahead and on the sides creating an infinite loop. The room is dark, but small squares of light repeat.
A photo of the front of a vintage recording device. The device has a label on the front reading “Tapak ‘NewsCaster’ spring-driven recorder”
A photo facing straight on in a kitchen, facing out towards a kitchen. There’s floor to ceiling glass windows, and a smart table in the foreground.
A photo of a 3-part folding mirror in a bathroom. Reflected in the mirrors are a sink, a bath, and a doorway.
A hiker on a path with a wide sunny valley behind him.
Two model makers pour plaster in to a mould.
Looking across to the other side of a street in Getaria. In the central divider there is a red rowing boat.
A woman in distress is given an IV.
A photo taken from high up, overlooking a bend in Baptism river. The river is mostly covered in snow and ice. There’s sparkles in the air from snow flying about.
A hiker walks ahead of the camera silhouetted by afternoon sun ahead. There’s tufty grass all around and no clear path.
Ed looking down at a compass held precisely on a map.
A photo of two light panels displaying photos of microscopic objects.
A view of two buildings in the Pena palace. the near building is covered in deep blue tiles with light stone trim. The far building is cylindrical and yellow.
Four phones are held in the air taking photos and videos of fireworks in the distance.
A detail of the center of the ceiling of Futuro house. There are three oval light shades suspended from the ceiling.
Looking straight down a train platform, with tracks on either side. There’s a train on the left hand side.
A shot under a covered walkway in the Golden Lane estate.
A dark scene with a single concrete pillar in the middle left. Six lines of light are evenly spaced vertically either side of the pillar. There’s fog in the room. Cables extend to and from the lines of light - reminiscent of telegraph poles.
A photo taken from the courtyard of the Vitra Design Museum showroom.
A photo of three very large gold-rimmed mirrors leaning against a wall, with a white building reflected in the background. The photographer’s reflection is centered in the middle.
A wide photo of the main ceiling dome in the Museu Nacional d’Art de Catalunya. There’s intricate murals in the centre, and arches of windows on all four sides.
A photo of Ed Horsford looking out over a round balcony to the landscape of Sintra beyond
Looking up at the interior of the ceiling in the Jerónimos monastery.
Sunrise over glastonbury festival. The sun is directly ahead silhouetting people walking home.
In a dark room, a light in the middle faces to the right and has illuminated one half. What can be seen is bare concrete.
Chris stands on a high path taking a photo of the Gleann Eanaich valley in bright sunlight.
Ed and Oj sat at a picnic bench half way up a valley. There’s a large red awning above them.
Chris before base of Ben Nevis. He’s got a climbing rope on and axe on the back of his bag, and he’s using a walking pole to point up at the summit.
A woman with her head bandaged.
Ed drinking from a vacuum flask, with snowy mountainside in the distance. He’s wearing full climbing gear - helmet, harness, rucksack.
Ed and Oj stand at the top of the Pointe de Salles looking north over the valley.
The jagged face of snowdon before sunrise. The mountain has a light dusting of snow on the top.
Many yellow-orange maple leaves are lit up in sunlight against a dark background.
A hand rests on a large mosaic of broken white tiles.
A photo of a light triangular light sculpture. A series of triangles is each lit up in white and bright colours. The triangles recede in to the distance.
A woman in a check shirt overlooks a still tank of black oil.
Feathers spin quickly at night. They’re lit from below, and look almost like smoke.
A laser beam projects from above on to the ground. It has traced an octagon shape.
A photo of a several washing machines in a laundromat. The one immediately in front of the camera has its door open.
A close up of some tiled mosaic on the exterior of la Sagrada Família. The tiles are arranged in five segments like a pie chart. The top three segments are pink, and the bottom two are gold.
Looking down on Chris on the side of a snowy mountain.
Facing straight on a rectangular fountain in an open air square. There’s four flags on the right hand side.
A close photo of a mosaic at Casa Milà. The tiles are roughly broken and all white - they’re arranged in a spiral pattern.
A photo of frozen ice on a lake. The ice has broken up in to many sharp pieces, then refrozen. As a result the surface is cracked and bumpy, yet solid.
Two deer stand next to each other, each with a raven on their back. They’re lit up warmly by dawn sunlight.
A protest sign taped to the back of a woman in a black leather jacket. The sign looks like an emergency exit sign and reads “Exit; BREXIT”.
A life sized Van de Graff generator makes a very large spark.
A detail photo of some fishing nets and lobster pots.
Three sets of footprints rise out from the snow. They’re compressed bits of snow, and the surrounding snow has eroded away.
A photo of James Greig as he takes a photo of some shrubs silhouette against the sun.
Two people at the top of a tor are jumping in the air.
A view of the town of Montserrat. The cathedral is in the foreground, with mountains looming behind.
A view inside of a vintage wooden fair ride.
Oj smiling as he looks at the camera and holds some purple flowers.
Oj in the air, mid jump. He’s high up on a mountainside in the bright sun.
Photo of the backs of Chris and our instructor. Our instructor is pointing downhill with a ski pole. There’s dramatic lighting in the sky - sunlight in the foreground and ominous dark clouds in the background. There are patches of snow on the ground.
A man works with a punch on a titanium spork.
A photo of High Falls taken from the pool at it’s base. The water is partially frozen over.
A large stag faces the camera, lit from the right with dawn sunlight
Sunrise over Whernside. Chris stands in the foreground in silhouette, taking a photo of the sun.
A grassy hill in late evening just before the light is gone.
Many small green maple leaves against a green background.
A detail of a curved wooden wall receding in to the distance.
A small wooden lookout from above the Baptism river.
Two grey storage buildings in a foggy grass covered field.
A photo taken from the banks of baptism river. There’s dry grases in the foreground and sparkles from snow in the air.
Facing straight on to a large orange sign in front of a cottage. The sign is written in large uppercase blue letters and reads ‘VIROL’.
A macro photo of rime / ice deposits on a rock.
A black sphere made from many hexagons and pieces of mirror.
Looking up at the exterior of one of the stairwells of the Brunswick Centre.
Several prickly stems of a cactus backlit by sunlight
Two hikers climb a somewhat steep snowy hillside. It’s overcast with flurries of snow around.
Looking up to the roof of a structure. Only the beams of the room remain, with some branches growing upwards.
An image with ferns and grasses in the foreground and a tower block in the background.
A badly rusted metal sign attached to a tree trunk in a woodland. The letters ‘fire’ are just visible.
A close crop of what looks like a large multi-faceted glass lens or many small mirrors.
A close detail photo of the upper square corner of one part of the National Theatre’s roof.
A dark photo with multiple lines of old fashioned seven-segement displays with red LEDs. Some lines are faintly lit whilst others show numbers.
A detail shot of one oval window of the Champalimaud Foundation. On the right the window is shown at an acute angle, with deep blue sky behind and tree ferns encroaching. In the background a plane can be seen flying away with a white contrail visible against the deep blue sky.
A detail shot of the celing lights in the Bloomberg building. There lights are small LEDs surrounded by curved plastic.
A vintage electronics pamphlet held in a hand above a piece of vintage electrical equipment. The pamphlet reads ‘Anyone can replace TV tubes’.
An artist painting a replica of a large oil painting hung on the wall.
A closeup of a sculpture made from gold-coloured wires bent in to angled shapes.
Sunrise over lightly snow covered hills.
A cavernous dark warehouse. Several lights can be seen pointed at the floor like spotlights - some red and some white. Several figures can be seen silhouetted in the dark.
Looking down a greenish-blue river, with rotting wooden posts in the foreground.
A small crevasse in the hillside, with a stream running through the middle.
A dry stone wall crosses the frame, with green fields in the background.
A photo taken from mid-way up Beinn Eighe, pointing down. Chris is ahead, descending the mountain.
A soldier attacks the camera.
Ed facing away from the camera just before sunrise. He’s got a bright backpack on.
A photo from the shore of Lake Superior, looking East. There’s snowy frocks on the right.
A close detail of a section of the National Theatre’s roof. In the foreground is the edge of a corner of concrete with wood effect. In the background another building roof can be seen slightly blurred.
Small flowers blossom in the morning sun.
A close macro photo of some fine gree branches.
A small pond at the head of a stream lit by late afternoon sun and deep blue sky.
A wide photo looking down on Chris on a mostly brown hillside, with patches of snow here and there.
A close macro photo of a translucent dark red and violet object. There are blurred people in the background.
Looking through a circular arch between two pillars to some trees beyond.
A photo of the a corner of The Barbican Centre with several tower blocks in the background.
A small tarn in an otherwise featureless landscape.
A wooden sign points the way along the South Downs way in late afternoon sunlight.
A woman wearing a shoe-hat talks to a man.
Ed climbing up the side of the Ledge route in very white conditions
A photo of the base of an escalator in a metro train station.
Laura Marling sings whilst playing the guitar.
A close macro photo of some white wild flowers.
A man reading a PaperLater newspaper in a coffee shop.
Ed and Chris pose together facing the camera on the edge of Aonach Mòr. Both are wearing green jackets and are tied together with a green climbing rope.
A large cylindrical light projects abstract patterns outwards on to the surrounding walls
A life sized Van de Graff generator makes a very large spark.
Ed Horsford reading a OS map next to the Cairngorm mountain weather station
A high zoom photo looking towards a section of the CMD arete on a sunny day. Tiny figures can be seen descending it.
A detail of a curved wooden wall. The panels have a regular pattern.
In a dark room, facing straight on to two very large reflective panels, each made up of hundreds of lenses or mirrors.
A photo pointing down at moss and grasses. The moss is deep red in colour.
A photo of a sculpture in a field. It consists of 12 poles emerging from the earth and pointing upwards. They’re arranged in a row, and are coloured like a rainbow, from green to blue, red, and yellow.
A detail of the exterior tiling at the top of one of the towers in la Sagrada Família.
A close macro photo of a beige maple leaf
A photo of an exterior wall in the Barbican. The wall is pebbledash concrete. On the left and right side are white tiles.
A dark room filled with many eery metallic sculptures by Jean Tinguely.
A snowy ridge recedes in to the distance. There’s very little visibility so it’s hard to see where the sky and ground connect.
Looking straight on down an exterior walkway in the Barbican. There’s a balcony / walkway at the end, and an autumnal tree lit up brilliantly in orange in the afternoon sun.
A photo of the front of Westminster Abbey at night. The entire front is lit up in bright pastel colours.
Photo of four merino jerseys overlaid on each other.
A telephoto photo of Ed walking up a wide snowy hill. He’s a small dark figure in an otherwise very bleak landscape. There’s an ice axe in his right hand.
looking down a snowy hill with low grey clouds. Ed is off to one side walking up towards the camera.
An inflatable gold star stuck in a tree.
A photo from the side of a highway looking over the side. Lake Superior is in the background.
A photo of an original construction prototype made for la Sagrada Família. The model has hundreds of small weights hung from loops of string forming catenary curves. The shape of the curves helped determine the arch shapes and position of supports.
A photo of Ed Horsford on a beach. The camera is positioned low down, pointing directly at the water. Ed is in the centre, facing the camera with arms folded.
A rectangular stony clearing in a brown outdoor area.
A semicircle of solid glass sits in a white wall. A hand is visible on the other side, magnified.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
A view of Ermita de Sant Joan on the Montserrat hills.
Chris walking along the Devil’s ridge towards the camera. He’s on one side of a sharp snowy ridge.
A photo looking up a snowy mountain - in the near distance is Chris Natt holding an ice axe over his head. There’s flurries of snow all around.
Looking down a metallic tunnel to a light fixture at the end.
Several sheep graze on a grassy mountain side.
A self portrait of Ed Horsford, silhouetted by strong sunlight behind him.
A photo from behind of a park bench overlooking a snowy river.
Two climbers in full winter gear at the top of a snowy mountain.
A photo of some mountains in Montserrat as seen from the peak of Sant Jeroni
Looking down a staircase in a train station. The base of the stairs has an irregular tiled pattern.
The vast hall of Durham Cathedral at night. The hall is filled at various levels by warm hanging lights. On closer inspection, the lights are made from white vests lit from within.
Faces appear lit up inside three rows of Kilner jars.
A sphere is formed by several large rings of steel intersecting each other. At each intersection is a clump of rough concrete.
Chris holds a large boulder of snow as he faces the camera.
Inside the Vitra Design Museum archive. The room is brightly lit with aluminium shelves on each side receding in to the distance. On the shelves are many different chairs.
A close crop of a lighting installation made from thousands of short light sticks. Each light stick rhythmically glows orange. In the close crop, some sticks are unlit and the overall image has the appearance of fire.
The exterior of the Barbican conservatory.
A light sandy path twists away from the camera. There’s tall trees in the distance and bright yellow flowers along the edge of the path.
The EMF camp 2024 sign in daylight.
Chris walking away from the camera and towards Beinn Eighe, just at sunrise.
A phone is held taking a photo of fireworks in the distance.
A photo taken in the courtyard of the Champalimaud Foundation. There’s a raised platform on the left, with Ed Horsford sat looking at the camera. On the right are two tall concrete towers set against a very deep blue sky.
Ed and Chris stand in silhouette towards a very right and golden sunset.
A photo of an egyptian goose walking towards the camera with soft dappled light behind it.
Looking up an ominous rock formation near Scafell Pike
Oj and Rogan wait in a crowd for a band to start.
A dark photo with ball shaped object on the left and surrounded by dots of light like stars. The object is similar to a mirror ball but with flat faces and lit up like an old CRT TV.
Looking up at an ornate street lamp amongst some tall trees on a sunny day.
Looking down at a limestone pavement in Whernside. The limestone is severely eroded and filled with grass in between.
Ed looks back to the camera as he descends a steep snowy ridge.
Durham Cathedral at night, shot from the opposite bank of the river. The trees below are full of white mist.
A hand in the foreground holds a compass and map. In the background is a figure walking away. The compass is pointing towards the figure.
A round shower of water is frozen in mid air by strobe lighting.
Looking down the central courtyard of Priory Green estate.
A macro photo of several cans of tuna stacked on a shelf. The cans have a vintage look and are labeled ‘Tricana’.
Two climbing bags lean against each other - deserted on a snowy plateau.
A detail shot of a metal staircase.
Looking straight on to a bus window. The interior of the window reveals the contents of a small working kitchen. The text ‘village’ is visible in white text in the middle of the window.
A golden sunset with snow covered rocks and grasses in the foreground.
Many brightly coloured abstract forms are suspended from the ceiling of a pale blue room.
An exterior view of the internal courtyard in the Jerónimos monastery. Several decorative carved pillars in light sandy stone can be seen in strong sunlight.
Macro photo of the clothing label in a grey jersey.
A close macro photo of a light orange maple leaf.
A photo of the artwork Spectral. Many strands of brightly neon coloured cord all run in the same direction, closely spaced.
A solitary sheep looks towards the photographer. A wire fence divides the two.
Looking up at the exterior of a 5 story building. In the middle on the fourth floor one window and wall is knocked out. A group of fake birds are suspended in the sky as if in flight past the building.
A photo of the top of an exterior window. The wall has a small decorative tile pattern and a graphic of a small person is stuck on the top right of the window.
Ed Horsford standing next to the Cairngorm weather station, holding an ice axe over his head. The weather station is completely iced over and there’s very little visibility.
A photo of a Barbican walkway with a pond in the foreground.
A photo of a display case showing many small models of people and various tools. The models are for use in historical dioramas.
A photo of a tree trunk bending to the side with autumnal leaves behind.
Chris descends a gently sloping hillside covered in large frost-covered boulders.
A painting on a wall in the form of a comic strip. The main visible text starts ‘5 Outubro de 1910’.
Looking down a long green valley. A stone path winds from the right.
Looking up at the exterior of a church window. The surround is made from brown bricks, and you can see the neighbouring building reflected in the window glass.
The front of the lower Montserrat cable car station. It has bright yellow letters on the side, reading “Funicular aeri de Montserrat”.
Red lasers in a dark room form even horizontal lines going from bottom left to upper right. A figure is silhouetted in front of them.
Looking through a void to an exposed brick wall, partially lit by sunlight.
A close macro photo of a pale orange rose, with soft dappled light in the background.
A photo of several light orange maple with a dark background.
An open air photo of two tiled walls. They’re perpendicular to each other and each end is slanted like the roof of a building.
The view from the upper cable car station in Montserrat. There’s a yellow cable car on the right, and mountains in the distance.
A lone sheep stands on the edge of a ledge looking at the camera.
A soft photo of some jagged rocks.
Chris crosses a series of tall rocks pointing straight up in the air like crystals.
A photo taken from a steel footbridge over Baptism river. The camera is facing directly down the bridge.
The entrance to the Bloomberg building. There are sweeping wooden walls leading to another room.
Red lasers in a dark room form lines that sweep up to a column then down again like threads.
A wide-angle photo of a living room. It’s very bright, with wooden furniture and floral patterns.
A man uses the corner of a compass to look at a map. He’s sat inside a snow hole.
A display case in the Pharmacy museum in Basel. Many small specimens can be seen on each shelf.
The emergency hut at the top of Ben Nevis. It’s covered in lots of snow, so only a patch of the top of the doorway is visible. There’s low visibility so it looks somewhat ghostly.
A solid sphere of glass fills the right frame of the photo, set against black. There’s an image of a woman’s face magnified inside the glass.
Looking up at two exterior sculptural concrete towers in the Champalimaud Foundation. The towers are light grey in an otherwise deep blue sky.
A photo taken facing along Fiacaill ridge. There’s climbers walking along various sections of it, with one in the foreground.
Looking up a valley. A path ascends the valley on the right, with Oj walking half way up it.
Chris at the start of the CMD Arete, going down. It’s very snowy with low visibility. The ridge is only just visible.
A macro photo of a tree branch with small plants growing out of it.
A photo taken from the roof of the Museu Nacional d’Art de Catalunya, looking out over Barcelona.
A close-up shot of some seedpods in grasses.
A photograph of a vintage radio player. The player has two reading heads side by side rather than one. The record has two visible tracks.
People dancing on on a lit-up dance floor.
The face of Malham Cove as seen from a distance on a sunny day.
A photo taken from close to the ground of snow covered grasses.
Looking straight up at the side of a gas works from close by. The metal railings are rusted with peeling paint.
Looking down the side of a tower block in Priory Green estate.
Looking down a dirt path with grass and bushes on either side in the late afternoon sun.
A photo of a rocky and snowy path in a forest.
Chris descending a snowy plateau.
Detail photo of the zipper of a grey jersey.
Two paths diverge in an open area near some woods.
A photo of the front of the Frank Lloyd Wright gas station. There’s gas pumps in the front and a tall sign reading ‘BEST’.
Chris kneeling on a snowy plateau taking a photo.
Looking directly up the Torre Galp from just inside the structure. The structure is painted in a light green-blue colour and made of many steel beams. On the right a walkway arcs around the frame.
Looking up at some stained glass windows in la Sagrada Família. The near ceiling is faceted and coloured green and blue from the window light.
Photo looking up an escalator in to a bright sunny day. There’s someone on the escalator ahead.
A birdcage is hung outside at night with bright green and red leds just behind it. In the foreground the shadows and light are projected on a screen.
Looking down a field of vines in rows.
An interior view of three windows in the Carmo Convent - the interior is dark but warmly lit by the three windows.
Two shoots of magenta foxgloves in full bloom.
A photo taken from the exterior walkway of the new Maat gallery. On the right is the glass exterior wall of the gallery with the letters ‘maat’ visible in large white text. On the left the Tagus river and shore of Porto Brandão can be seen through a long cut away in the walkway.
A close shot of the wall of the Rezola cement factory. The wall is made of grey corrugated steel with yellow trim.
Chris stood crouched just off path taking a photo of a magenta foxglove.
Ed jumping in mid-air. He’s facing sideways.
Looking up at Morrison’s gully in Beinn Eighe from below.
A close macro photo of the edges of several maple leaves. The image is deep red with dark orange leaves.
Looking out the viewing area inside the Frank Lloyd Wright gas station.
Looking along the shore of Lake Harriet. Close to the shore the edges of the lake have frozen in to intricate shapes. The banks are brown and autumnal.
A photo of tram tracks and painted white stripes on a stretch of road.
Several plates of tapas being eaten in El Xampanyet.
A sunrise photo taken from midway up Snowdon, facing the sun. There’s a still lake on the bottom, reflecting some of the sunrise.
A photo of telegraph signals encoded as morse code on a long ribbon of paper. The ribbon is about 1/2″ wide and and punched through with many dots.
A wide photo of a snow covered mountain peak with other mountains in the far distance beyond a valley. At the top of the peak is a small figure.
Photo of a vintage poster describing with words and diagrams how to use a rotary telephone. The main reading reads “The best in telephone service is at your fingertips...” with a 6 step diagram for how to use a rotary phone.
Two groups of climbers walk towards the horizon in snow. The sky is foggy / overcast and blending in with the ground. The climbers are all wearing brightly coloured clothing.
Inside the San Sebastián bus station. The loading bay is large and dark, with a circular sculpture in the middle, letting light in from above.
A gas work from afar, showing the railings curving round. Another gas work is visible in the distance.
A large mobile made from sheets of glass cut in to shapes of continents, forming a glass map of the world.
A large neon sculpture comprised of multiple overlaid words. All parts are lit up.
The peak of Ylliwedd seen in the distance in shadow.
A vintage computer with glowing green display shows a pattern on screen.
A deep orange frame with no distinct features. Two bodies can just be seen in the background.
A large vintage suitcase telephone. It has a standard receiver, but the rotary dialer is much larger than normal. The whole unit is about the size of a small suitcase and has a handle on the top. It looks comically large.
A photo of Ed walking in the distance up a snowy mountain.
Looking directly down the central platform in a train station. On the left a train is waiting. The station is small and with a low roof.
Smoke swirls are lit up by laser beams in blue.
A semi-solid sphere of made from metal rods hangs against an orange backdrop.
A photo taken in a dark warehouse from above, looking down. There’s a single blue line of light snaking from the floor to the ceiling.
A small tent and a tarp are set up next to each other at night. The camera is close to the ground looking at them, with stars visible in the sky. The left of the frame is bright orange from a nearby fire. There’s trails of sparks crossing the frame from the fire.
A photo of a light triangular light sculpture. A series of triangles is each lit up in white and bright colours. The triangles recede in to the distance.
A photo of the side of a metro platform, taken from the opposite side.
Looking down on the red tile roofs of the Alfama neighbourhood
The camera looks through a window from outside to the interior of a room. In the centre of the room a large model of an octopus is suspended from the ceiling.
A photo of an octopus dish served at El Xampanyet.
A lighting installation with thousands of coloured lights. The room is filled with strings of round ball-shaped lights hung from the ceiling. The image is focussed on as ingle strand with three ball lights visible - and many thousands of coloured lights blurred behind.
A photo of the olympic stadium in Barcelona. The photo is taken from one end, looking in to the main arena. There are seats all around and the playing field in the centre.
A photo of a corner of a building with a mural on the side. There’s a small monkey-puzzle tree in front.
Chris taking a photo looking down a sunny hillside. There’s dark clouds in the background.
Photo of a newspaper spread.
A photo taken from the side of US highway 61.
A dark industrial pier in a bay. There’s a small lighthouse in the distance.
Photo of a hand holding a smartphone, which is showing a web article.
The interior of the roof of Bilbao airport.
Chris and Ed pose for a photo on top of Beinn Eighe. They both have heavy jackets and helmets on.
A photo of a dark room with three wooden display cabinets filled with white objects on one side.
A macro photo of climbing gear on our instructor’s harness. Chris is visible in the background.
The Improbable Pedestal at the start of the ledge route. A tall, top-heavy rock stood apart from the mountainside.
A photo down the banks of the Baptism river. The river is 70% covered in snow and ice, with a wire bridge in the background crossing the river.
Red lasers in a dark room form lines at regular angles, sweeping a curve to the left.
A hiker with large rucksack walks in front of the camera on a grassy hill.
Looking up through a void in a roof, forming a triangle of sky. Framed in the sky is the top of a tower block in the Barbican, which also forms a triangle shape.
A large tree stump is lit up from the side in dawn sunlight.
A photo of a zebra crossing in Basel.
Facing straight on to a wooden box with a large sign in uppercase that reads: “Stretcher box”.
Looking up the void of a staircase through a metal grate. The void is triangular.
A large neon sculpture comprised of multiple overlaid words. The word ‘nature’ is prominently lit.
Ed and Chris stand still in the dark next to their tents. Each tent glows slightly from within.
Looking through a glass window with several reflections.
Ed climbing a snowy and grassy mountainside. In the far distance the brown base of the valley can be seen with a river running through the middle.
A pair of walkers decend a snow covered hill.
A neon sign with the word ‘Lumier’ in blue, surrounded by red neon.
Looking towards the Ben Nevis. In the foreground, the CMD arete can be seen snaking down and across the frame.
Oliver Wooderson stands on the ruin of a building wall looking in to the inside of the ruin.
Looking up at skylight windows in a train station. The ceiling is cast concrete, and the lights are made from a grid of glass tiles.
Three female deer poke their heads above ferns in morning sunlight.
Several green maple leaves are lit up in sunlight against a dark background.
Looking down a steep gully from up high. The base of the gully is filled with snow.
Looking up at the ceiling of the Maat engine room. There’s various walkways crossing the room and tall thin glass windows going up to the roof.
Looking through leaf-less trees and pines to Lake Superior
A plate of fried mushrooms with an unbroken egg yoke in the centre.
A retro looking sign that reads ‘Cosmicar entrada’ with sci-fi looking graphics.
A dirt path with some steps winds up a dark green moss and grass covered hill, leading to a large rock formation in the distance.
A macro photo of a set of doorbells on the wall. There are 6 white buttons on a dark green base.
Looking out the window to the stairwell of the Monte Igueldo funicular station.
A photo of some fluffy tufts on some bushes. They’re backlit by sunlight.
A small lighthouse at the end of a pier is silhouette in front of a setting sun.
Many balloons float above the ground of Trafalgar Square - the balloons are lit like light bulbs.
Looking down on to one corner of the Moorish castle.
Chris and our instructor walk along a path uphill. There’s small patches of snow in the distance, but the ground is otherwise brown and windswept.
A small brown wild pony looks at the camera as it stands near a small stream.
Looking up at a series of angled windows from a lookout.
A detail photo of some fishing nets and lobster pots. There’s a bright orange buoy in the foreground.
Facing the exterior of a glass fronted building straight on. There’s a metal spiral staircase with yellow treads connecting the two floors.
A photo of four people walking in late evening sunlight. They’re silhouetted with sunlight behind them.
A large mechanical metal sculpture in a room - made from several car parts.
The shadow of Ed Horsford taking a photo with a large camera. His shadow is made up of multiple different colours from light yellow through to green and pink.
A snowy mountainside and valley, with swirls of snow in the air.
A photo of many small white models of roof spires of la Sagrada Família.
Looking down a long walkway flanked by leafless trees on each side.
Cracked white markings on tarmac. They’re in a regular grid pattern with arrows at one end.
A self portrait of Ed Horsford. There’s a very bright red spotlight next to his head on the wall behind.
Looking towards a window inside the Vitra showroom. The room has a profile like a house with a pointed roof. Inside the room is a long table and bench.
Three phones are held in the air taking photos of fireworks in the distance.
Chris and our instructor stand on a level section of Fiacaill ridge. There’s low cloud on the mountain, but some sunlight just breaking through.
Looking directly down the Urumea river to the next bridge. There’s lots of green trees on each side of the bank, and the water is calm.
Lynn stands in front of the Rezola cement factory. There’s a winding cycle path in front of her.
A portrait of Chris and Ed near the summit of Stob Bàn.
A model of a satellite is just visible in a dark gallery interior.
A sunset over the bay in San Sebastián. There’s trees and signs in the foreground causing many silhouettes to break the sunset.
A close detail shot of an aged carved marble pillar in the Torre de Belém. The column has a spiral shape with fine flowers carved at regular intervals.
A photo taken from a cable car overlooking a port.
Ed walking towards the camera, approaching a small stream. It’s just after dawn and the sun is directly in front.
A photo of a meat counter in a market.
A photo of a small warning beacon on a pier. The beacon is painted in white and green stripes. Ed Horsford is stood on a ladder near the top, looking at the camera.
A sponge specimen of Geordia norvegica inside a glass vial.
A stepped wooden path descends a dark pine forest.
A close photo of the edge of a jagged and sharp rock at the top of Glyder Fawr.
Looking straight on to a large control panel in Maat. The panel has a several columns of controls and dials and has a light grey-green surface colour.
A tight crop through brambles of various parts of gas works railing.
A view down a cut v in two rock faces. Both faces are very steep.
A close up of a hornbill skull. The top of the beak has a sponge like quality.
Ed in far distance is a dark spec on an otherwise white mountain.
Photo of a water balloon bursting. The balloon is resting on a hand, and lit up like the sun.
A photo of wide pavement / walkway that rises slightly.
A photographer wearing a hat composes a photo inside an orange foggy room.
Three rows of red seven segment displays one behind the other make three highly precise clocks.
Two coloured geometric metal objects rest on a concrete floor.
Orange balls of light hand suspended from darkness
Looking down on two concrete supports for the first floor terrace of the National Theatre. The floor is tiled and the photo is otherwise very grey.
Photo of a light sculpture by Dan Flavin in the Kunstmuseum. The sculpture is a long fluorescent bulb stretching between two walls in the corner of a room. The bulb is the only source of light, and gives of a blue and white light.
A wall covered neatly with posters, 4 high and 11 across. The posters are mostly text based with some bold colours and show pro-EU, anti-brexit messages.
The Glenfinnan viaduct seen from the side.
Ed jumping in the air on the summit of Scafell Pike.
The frame is filled with circles of light in an arc pattern. The colours vary from deep oranges to light lilac.
Sunset over Glastonbury. There’s tents on the right and a plane on the left.
Two boots with crampons on are in the foreground descending a steep snowy mountain. Ed can be seen a few meters ahead.
A photo of the frosted glass garage door of a fire station. There’s a sign that reads ‘feuerwehr’ (fire department), and a symbol with a red no entry sign.
A concrete sculpture at the side of the road. The sculpture resembles origami with lots of folded corners.
Small skeletons on display behind glass.
A group of freshly made slip-casts, drying on a table.
Many balloons float above a dark street - the balloons are lit like light bulbs.
A photo looking down on a path curving away.
Looking up at the top of a tower block on the Golden Lane estate. The block has contrasting patches of bright white and yellow.
A black and white contour map of the Cairngorms on a table. Parts of it have been hand-coloured in yellow, orange, and green to indicate avalanche risk.
The side of a curved covered walkway in the Barbican.
Geometric shapes in blues and pinks on a dark background. Shapes are more on the left than the right. They look almost like a projection of a 3d rendered room.
A round shower of water is frozen in mid air by strobe lighting.
A photo looking straight down the covered Beech Street. The photo is dark, with red and blue lights on the ceiling, receding into the distance.
A set of furniture against a white wall. The furniture is heavily burned and missing in places.
A cream coloured highland cow with large horns faces the camera. There’s long shaggy hair covering it’s eyes.
A Messerschmitt car on fire after being blown up.
A fine mist of water drops in a dark room, lit from the side. A woman stands in front of the artwork.
The view from the Montserrat train station, looking up at the hills overhead.
18 small white arrows are painted on a stretch of tarmac. They all point the same way.
A man holding an origami paper bird, followed by other people.
Ed wearing a green softshell jacket with hood over his helmet on the side of a snowy mountain.
A telephoto photo of Ed on a snowy mountainside. There’s mounds of rocks and snow in the foreground partially obscuring Ed. The camera is focused on the foreground so that Ed is partially blurred.
An interior photo of the top of a spiral staircase. The foot of the stairs reads ‘Salida Exit Sortie’
Looking up at a grand ceiling.
Four men wrapped up in winter clothing huddle on a snowy mountain.
A photo of a lit sign that reads ‘Danger - laser radiation’
A detail of yellow padded seating inside Futuro house.
A group of tall marble statues are arranged in a tight grid and surrounded by tall fencing. They’re lit from one side by a streetlamp.
Looking up at a wooden stairwell with large skylight.
A vintage television set is set on the floor in the lower right. A figure waves on the set. Behind the TV is a large metal cage.
White steel beams in the shape of rectangles 50′ tall are spaced regularly 20′ appart. The camera looks up from the corner at the regular white grid this makes against the blue sky.
A close photo of the top row of stones of a stone all. The stones all lean to one side. In the background the sun is just setting.
A photo of some hexagonal floor tiles in Casa Milà. There’s a rich floral texture on them.
A photo along some railwaylines. There’s train tracks on the left and three red gas canisters on the right.
A detail of one of the Brunswick Centre’s stairwells from the side.
The summit of snowdon seen from just below. The summit is in shadow with a light dusting of snow.
A young fox walks from right to left in short grass, ears pricked up.
A large neon sculpture comprised of multiple overlaid words. Only some words are lit up.
A white and brown pony with hairy legs bends down and eats some grass.
A long strip of paper is held up between two hands, with holes punched along the length spelling the words ‘infrastructure club’.
A photo of the Montserrat mountain range taken from an airplane. A plane engine is visible in the foreground.
Pairs of brightly coloured lights in the shape of shoes dangle from a line suspended between two rows of houses.
A macro photo of some spiky leaves.
Geometric shapes fill the field of view horizontally. They’re various shades of blue. One pink trapezoid is on the right.
A photo of a bush of ‘Russian sage’ or ‘perovskia atriplicifolia’. It’s very light grey or white, with a slate name tag in the centre.
Small coloured plastic pieces join together to make geometric shapes.
A close photo of a model of a lizard with flowers growing out of it’s back.
A photo of a sculptural form in a room. There are black struts in a grid shape with two large rocks on the ground.
A 3D lion and a unicorn made out of tissue paper on either side of a round sign - in the form of the Royal coat of arms. The sign reads “Let’s work together”.
A selection of tools on a table.
Chris stands at the foot of a snowy coire with early morning sun ahead of him.
A photo looking straight down the covered Beech Street. The photo is dark, with white criss cross lights on the ceiling, receding into the distance.
A photo of two parts of a large iron sculpture by artist Eduardo Chillida. The sculptures sit on the coastline with the sea to the right. One piece dominates in the foreground, with another just visible in the background.
A macro photo of a light coloured maple leaf against a soft focus sky background.
A photo of an exterior walkway near the National coach museum. On the right is a glass exterior wall of the building with strong reflections obscuring the inside. On the left are two wide concrete columns supporting the walkway.
A photo of a map of the United States. There are approximately 30 maroon or grey push-pins inserted at various locations.
A large neon sculpture comprised of multiple overlaid words. The photo is taken from the side.
Ed stoops low to place a piece of climbing gear in a rockface.
Looking up a the corner of the roof of an angled building in late evening light.
Ed and a guide walk up a snowy mountain on an overcast day. The camera angle is near to the ground looking up at their backs. They’re both connected by a climbing rope.
A close photo of a large stag’s head. The stag is looking directly at the camera.
Looking down at a pair of boots with crampons on icy ground.
Looking up a snowy gully. Chris is mid way up the frame, crouched in the snow, looking at the camera.
A pitch black room. A series of small white spheres are in the centre in a line to the distance. They are faintly light from the right casting shadows on the left wall. The White spheres look like moons.
A close macro photo of some carvings in Pena Palace. The carvings look like worms / coral.
A photo of a sign that reads ‘Barbican Trade Centre B’
A stag faces to the left of the camera, partially hidden by ferns.
A dark photo of some dark red maple leaves.
A wide angle photo looking down void of the interior of one of a la Sagrada Família tower.
Looking down the centre of a covered food market.
Long leaves of a tree are silhouetted against direct sunlight.
Looking up a spiral staircase at the level above. There’s a red door in the distance.
A peacock looks stood side on looks at the camera. It’s stood in the shade of a peach pastel coloured building.
Small cork capped vials of bone fragments stacked end to end, row upon row.
Looking up the tracks of a funicular railway from inside the train car.
A chalky path recedes in to the distance on a hillside. The sun is just setting on the horizon.
Ed and Chris with axes in the air on a snowy plateau.
Ed stands alone at sunrise looking out over the golden hills.
A view of the open-air courtyard in the centre of Pena Palace. The courtyard has blue and white checkerboard tiles, and a large fountain in the shape of a shell in the center.
Two stags are silhouette in front of dawn sunlight, partially hidden by ferns.
A round silver cone points directly at the camera. Iit is surrounded by a colourful mosaic print. It reflects some of the colours from the print.
A photo of a science experiment. There are three blue stands held in the air. There’s a screen in the background with a hand visible on it.
Looking directly down a tight stone spiral staircase
A close photo of some radio-wave insulating foam. The foam is formed in to tall pointy pyramids with pale blue bases and black tips. The pyramids are arranged in a rigid grid - as if the entire floor were spikey.
A round shower of water is frozen in mid air by strobe lighting.
A 3d map / sign for the Golden Lane estate.
Close photo of rime on rocks at the top of a snowy mountain.
A soft focus image of some branches with dry grass in the background.
Looking up at one of the entrances to the National Theatre. The photo is symmetrical - the corner leads to a stairwell at 45º, and the camera is at the bottom of the stairs.
A single protest sign held high in the air. It’s white with black text. The text reads ‘Please stop. You’re fucking everything up.’
A photo looking straight down the covered Beech Street. The photo is dark, with a projection of a solar system on the ceiling.
Harry Tuttle uses pliers on some machinery.
Looking far south over the horizon from Aonach Mòr. There’s a low cloud inversion, so just the tops of various mountains can be seen.
A viewing platform in Bauhaus style.
A circular skylight. The surrounding ceiling and walls are dark concrete.
A close crop of of a lighting installation formed from many rings stacked in front of each other, with the inside of the ring light up in solid white. Seen from the front you can see many partial solid arks of white in a geometric pattern.
Ed and Chris kneel down with ice axes in hand at the top of Stob Coire an t-Sneachda
Looking side on to a small boat on stilts out of water.
A view of one corner of the Castle of the Moors with fortified walls receding in to the distance.
A narrow street in Getaria, with sunlight on one side.
Two vintage television monitors are stacked vertically in a dark room, each showing a bald man’s head. The same head is projected on the wall behind them.
A photo taken from under highway 61 as it passes over the Baptism river. There’s a blue arrow pointing to the right.
Two people walk across a snowy mountain, each holding an ice axe. There’s two more behind them.
Looking sideways at a road and bicycle path. In the background a white fence blocks the view, but is partially broken revealing some tall grass behind.
A photo of the roof of the Museu Nacional d’Art de Catalunya
A photo of the winners podium at the Barcelona olympic stadium. The podium is made of three red cylinders of different heights.
A laser beam projects shapes from above on to the ground. It has traced a large red hexagon, with a small pink square inside.
Oj walking ahead down a straight path. On the left are rows of wheat. On the right is a hedge of wild flowers.
A photo taken from one side of a valley facing the other. The opposite face is deeply scarred, with patches of moss green on the upper faces.
A large fountain in the centre of the frame on a sunny day. The fountain is made from a large circular cone shape, purple-red at the top, fading to red at the bottom.
Looking down on the central courtyard of Priory Green estate.
An empty plastic CRT case with two lights for eyes
A snowy cornice seen from the side.
A photo from a grey beach looking along the shore.
Two people hold hands in a room. A light shines on them from one side, casting a multi-coloured shadow of them against the wall.
Chris descending in to the bowl of the Ring of Steall. It’s later in the day and the sun is low in the sky. The bowl is already in shadow. There’s a small windy stream at the base of the bowl.
A photo taken in a dark warehouse from below. A green light is in the center in a cross shape.
Chris and our guide pull on a length of rope coming towards the camera. The rope runs around a pillar of snow making an anchor.
Looking up at the ruins of the Carmo Convent. All that remains are the arches of the building, with blue sky where the ceiling would be.
Photo of a PaperLater newspaper on a doormat.
Several people with paper socks are sat in a gloss white room with white light overhead.
A photo taken in a dark warehouse from below. There’s a single blue line of light drawn erratically in the center.
A close photo of a rusting iron sculpture by artist Eduardo Chillida. The sculpture splits in to three arms that curve outwards and then inwards.
A photo taken on the roof of the Joan Miró Foundation. There are white walls on the side, some with rounded corners. There’s an abstract coloured sculpture in the centre of the terrace.
Looking up at a streetlamp in a narrow street. It’s daylight, so the streetlamp isn’t on.
Looking up at the peaks of some mountains in Montserrat. The rocks are bulbous and separated like molten lumps.
A display case of various types of light bulb.
A golden sunset with grasses silhouetted in the foreground.
An aged wooden sign on a fence says ‘No right of way’ - it’s also covered in chicken wire.
Wide photo of pale green room with several red mechanical sculptures in the middle.
Ed Horsford mid leap whilst crossing a small stream.
A gloved hand holds a compass and map in front of the camera as a blurred figure walks ahead in the distance surrounded by snow and fog.
A round shower of water is frozen in mid air by strobe lighting.
A photo directly facing a workbench inside an automotive garage.
A photo of a rocky cliff partially covered in snow. There’s strong fog everywhere so the background and bottom of the cliff can’t be seen. There’s a shadow of a person at the tip of the cliff.
Photo of a PaperLater newspaper being read on a bus.
Bumper cars sit unused at the top of a mountain. In the background the city of San Sebastián can be seen below.
A photo of a cardoon head in autumn sunlight. It looks like a cross between a thistle and an artichoke.
A style on a mountainside at dawn.
A small wooden shelter on a snowy mountainside with deep blue sky.
Macro photo of a roll of paper with small holes punched out of it. The roll is being fed through some machinery.
Chris and Ed stand at the top of Fiacaill ridge. The ground is mostly snowy with patches of brown.
Looking straight on to the elevator lobby in Tate Modern. The room is filled with orange light from a series of regularly spaced fluorescent lamps.
Five projectors in a dark room project black and white photos on to a wall.
A photo of several autumnal leaves against a dark background.
A plate of pintxos on a wooden bench next to a basket of bread, a glass of beer, and a glass of white wine. One pinxto is a slice of baguette with ham. The other is half of a sea urchin.
A photo taken from a bridge down a stretch of stream. There’s autumnal trees on either side. In the distance another bridge can be seen with a heron sat on it.
Looking towards the ceiling of the main atrium of la Sagrada Família. The very top of the ceiling is especially bright from many small lights.
A hiker stands still looking at the camera holding bunches of sticks in each hand. He’s lit from behind by golden sunlight.
A bivvy bag and rucksack sit in a hollow depression in the grass in the last of the evening light. The sky is dark blue and calm.
Ed and Chris sit on long grass in late golden sunset.
A wide angle photo looking down an interior staircase to the front door of a building. The staircase is steep, and on either side the walls are covered to shoulder height with blue and white patterned tiles.
A video still of two hands manipulating a deck of cards. The hands are a luminous green, and the cards are a pink / magenta colour.
An interior shot of the Bloomberg building. There are walkways overhead.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
Five glass microscope slides filled with various specimens. They each have cream labels and handwritten notes.
Ed sat on a large rock, overlooking a large and deep valley.
Looking straight on to a green doorway. The door is covered in stickers and graffiti.
A grid of radio postcards on a wall. The cards are evenly spaced, but each very differently designed. Some have bold typography featuring 5 letter codes. Others depict animals / planes / local scenes.
Ed in the distance looking down over a snow covered ridge.
A photo looking through some branches at an icy river.
A bunch of slip-cast moulds on a table, several filled with liquid clay.
A small stream comes from the distance and under the camera. The hillside is green and sunny.
Looking out from high up at the 25 de Abril Bridge and Village Underground.
A sheep looks directly at the camera.
Four men dressed in winter gear walk in a line up a snowy mountain in poor visibility.
A detail of the exterior of Futuro house. There’s two oval windows emanating yellow light, and white light on a building near the house.
A photo from a moving light installation. A bright point light is projected on the floor, and wanders randomly around. The floor is covered in a material that glows for a period when exposed to light. The end effect is of random lines of light green and blue drawn all over the ground.
A photo in a large dark warehouse. The only light is deep red in one section of the warehouse. Several still figures can be seen around.
A detail shot of an unfinished metallic form of a Konstantin Grcic chair. The form is made of metal struts connected together with waste metal from the mould still visible.
A wide photo of many orange maple leaves from underneath a maple tree.
Looking up at a series of concrete balconies on the upper levels of the Brunswick Centre.
The Bloomberg TV studio. There are several large cameras pointed at a desk, and several large LED displays.
An area is marked off in the corner of a room in the shape of a cube. Ed Horsford stands in the area. To the left is a sign that reads “By standing in the zone created by this drawing, and for the period you remain there, you declare and agree that you are a citizen of the United States of America.”.
Two wax casts of a male head are suspended on either end of a mobile, in front of a dark background. A light from one side projects a shadow of another head on a nearby white sheet.
A low contrast view of several snowy ridges.
Looking down a grassy hill with a farm in the distance. A faint chalky line can be seen on the ground - part of the Long Man of Wilmington.
Looking up to a circular opening in a wooden roof.
Ed looking out over lake at dawn.
Ed hiking uphill on a partially snow covered slope.
A round shower of water is frozen in mid air by strobe lighting.
A golden sunset with snow covered rocks and grasses in the foreground.
Photo of the front of a vintage radio battery. The battery is brightly coloured with a graphic dark blue, light blue, white and red design. The front text reads “Ray-o-vac radio ‘B’ battery”
Several specimens in glass jars in a display case at the Pharmacy museum in Basel.
Looking along a walkway in the Barbican.
A photo of frozen ice on a lake. The ice has formed in to scalloped shapes as if large shells were pressed in to the surface and then removed when frozen.
A close photo of many connecting metal rods making a 3d geometric shape.
A dark mysterious photo showing several computer screens lit up with magnifying panels in front of them.
A close photo of a white rose bush. The flowers are smaller than normal roses.
A photo looking directly up at the large hall of la Sagrada Família. There are 8 main support columns that radiate outwards.
A photo of two gas works, taken near to one. The floor of the dome of the nearest works is visible.
A photo of autumnal woodland. There’s a small trench in the floor receding in the distance.
A photo of some radio-wave insulating foam. The foam is formed in to tall pointy pyramids with pale blue bases and black tips. The pyramids are arranged in a rigid grid - as if the entire floor were spikey.
Wide angle photo looking up from the central courtyard at the Torre de Belém. The walls of the courtyard loom on each side, with the main tower in front. The sky is bright blue with no clouds.
Looking down to a street intersection.
A photo looking down a long corridor with two moving walkways on either side.
A crowd on Lambeth Bridge watch the New Years fireworks display over the London Eye. Many are holding phones in the air taking photos.
A phone is held taking a photo of fireworks in the distance.
Ed looks out in to the distance, which is misty with low visibility. He’s holding a map and compass, and wearing a bright orange jacket and ski goggles.
A dark photo looking down a tunnnel in the Barbican.
PIeces of concrete are suspended between lengths of steel in a regular grid pattern.
Four vertical panels are side by side in the dark. They’re light from behind with bright neon colours, projected with shadows of birdcages.
A marine talks to a fellow soldier.
Fireworks in front of the Glastonbury flags.
A funicular car descending a steep street in bright sunlight.
Several plants inside the Barbican conservatory.
A photo looking down the edge of a tower block with a tower block with yellow trim in the background.
A photo of some snowy rocks on a mountainside. The sun is low in the distance but obscured by snow clouds. There’s flurries of snow all around.
A plate of food just before it gets eaten. A knife and fork are poised to cut in to the plate. The plate contains a single large piece of meat with crispy skin.
A small piece of china with a blue graphic sits in the stump of an old tree.
A ridge leads from the left to the right from Snowdon to the peak of Y Lliwedd.
Looking down a series of regular castle battlements. A large olive tree as tall as the battlements is visible on the right.
A photo of the artwork Spectral. Many strands of brightly neon coloured cord all run in the same direction, closely spaced. The cords run up to a ‘v’ in a tree trunk, and then down again.
A hiker with hiking pole descends a snow covered hill at sunset.
A close macro photo of a vintage radio postcard. The postcard reads “HB 4 FE” and depicts a radio mast giving off signals inside an outline Switzerland.
A hammer and some snips discarded on a wooden table. Paper templates of sporks are littered about.
In a pitch black room a tripod can be seen in the centre illuminated by a single point of light on top of the tripod facing towards the camera.
A close shot of the roof of the Hayward gallery. The roof is covered in metal and glass pyramids to capture light.