Mona Hatoum: Remains to be seen

The White Cube Bermondsey presents a great exhibition of Mona Hatoum’s work. Comprised mostly of monotone geometric forms in a range of sizes, I was particularly taken with the magnetic ‘Dark Matter’ and gridlike ‘Remains to be Seen’.

PIeces of concrete are suspended between lengths of steel in a regular grid pattern.

Remains to be Seen, 2019, by Mona Hatoum

2019/10/26
1/90s at f/2.8, 34mm, ISO 100, Nikon D800

A large mobile made from sheets of glass cut in to shapes of continents, forming a glass map of the world.

Map (mobile), 2019, by Mona Hatoum

2019/10/26
1/180s at f/4, 70mm, ISO 100, Nikon D800

A sphere is formed by several large rings of steel intersecting each other. At each intersection is a clump of rough concrete.

Orbital I, 2018, by Mona Hatoum

2019/10/26
1/100s at f/3.3, 48mm, ISO 100, Nikon D800

A set of furniture against a white wall. The furniture is heavily burned and missing in places.

Remains of the Day, 2016 - 2018, by Mona Hatoum

2019/10/26
1/125s at f/2.8, 27mm, ISO 100, Nikon D800

A large black sphere in the corner of a white room. The sphere has a complex detailed texture. The texture is made from iron filings attracted to the sphere.

Dark Matter, 2019, by Mona Hatoum

2019/10/26
1/60s at f/2.8, 28mm, ISO 200, Nikon D800

A large black sphere in the corner of a white room. The sphere has a complex detailed texture. The texture is made from iron filings attracted to the sphere.

Dark Matter, 2019, by Mona Hatoum

2019/10/26
1/60s at f/2.8, 24mm, ISO 125, Nikon D800

A close macro of the artwork, showing a detailed texture made from iron filings. The texture is made from iron filings attracted to the sphere.

Dark Matter, 2019, by Mona Hatoum

2019/10/26
1/60s at f/2.8, 29mm, ISO 360, Nikon D800

A model globe made from red neon tubes.

Hot Spot (stand), 2018, by Mona Hatoum

2019/10/26
1/750s at f/2.8, 48mm, ISO 100, Nikon D800