Nikon D800

A woman dances whilst looking at her friend.
Photo of the backs of Chris and our instructor. Our instructor is pointing downhill with a ski pole. There’s dramatic lighting in the sky - sunlight in the foreground and ominous dark clouds in the background. There are patches of snow on the ground.
A photo of a tree trunk bending to the side with autumnal leaves behind.
A photo of telegraph signals encoded as morse code on a long ribbon of paper. The ribbon is about 1/2″ wide and and punched through with many dots.
Chris on the CMD Arete. It’s a near whiteout so you can only just see the rock-face in the middle.
Photo of a PaperLater newspaper on a doormat.
A photo of frozen ice on a lake. The ice has formed in to scalloped shapes as if large shells were pressed in to the surface and then removed when frozen.
A close photo of some radio-wave insulating foam. The foam is formed in to tall pointy pyramids with pale blue bases and black tips. The pyramids are arranged in a rigid grid - as if the entire floor were spikey.
A panorama of a snowy hillside as the sun has set behind the hill.
A photo of some radio-wave insulating foam. The foam is formed in to tall pointy pyramids with pale blue bases and black tips. The pyramids are arranged in a rigid grid - as if the entire floor were spikey.
A phone is held taking a photo of fireworks in the distance.
A semi-solid sphere of made from metal rods hangs against an orange backdrop.
A 3D lion and a unicorn made out of tissue paper on either side of a round sign - in the form of the Royal coat of arms. The sign reads “Let’s work together”.
Two people walk across a snowy mountain, each holding an ice axe. There’s two more behind them.
Looking up at a series of concrete supports.
Two deer stand next to each other, each with a raven on their back. They’re lit up warmly by dawn sunlight.
Twilight over the South Downs. The sky is clear with yellow and orange hues on the horizon.
A photo of the front of the Frank Lloyd Wright gas station. There’s gas pumps in the front and a tall sign reading ‘BEST’.
A long view across an icy river. There’s dark rocky outcrops coming out of the river. The river is partially frozen with creamy patches of ice at the sides.
A wide photo in morning sunlight. In the background there’s a hump of a snowy hillside. In the foreground there’s brownish grass with tall trees littered about.
A photo of a vintage washing machine in a laundromat.
A photo from a grey beach looking along the shore.
A photo of a bush of ‘Russian sage’ or ‘perovskia atriplicifolia’. It’s very light grey or white, with a slate name tag in the centre.
A set of furniture against a white wall. The furniture is heavily burned and missing in places.
A photo looking up a snowy mountain - in the near distance is Chris Natt holding an ice axe over his head. There’s flurries of snow all around.
A photo from the shore of Lake Superior, looking East. There’s snowy frocks on the right.
A dark photo looking down a tunnnel in the Barbican.
A photo of a sculptural form in a room. There are black struts in a grid shape with two large rocks on the ground.
A stepped wooden path descends a dark pine forest.
Looking across a wide lake on a grey day. In the distance is a small industrial boat. The water has regular horizontal dark bands - like a barcode - caused by ripples from a passing boat.
Chris descending in to the bowl of the Ring of Steall. It’s later in the day and the sun is low in the sky. The bowl is already in shadow. There’s a small windy stream at the base of the bowl.
A fine mist of water drops in a dark room, lit from the side. A woman stands in front of the artwork.
A photo of a science experiment. There are three blue stands held in the air. There’s a screen in the background with a hand visible on it.
A photo of an egyptian goose walking towards the camera with soft dappled light behind it.
Photo of a newspaper spread.
Looking up a snowy gully. Chris is mid way up the frame, crouched in the snow, looking at the camera.
Ed and Chris pose together facing the camera on the edge of Aonach Mòr. Both are wearing green jackets and are tied together with a green climbing rope.
A detail photo of some fishing nets and lobster pots.
A photo of a light triangular light sculpture. A series of triangles is each lit up in white and bright colours. The triangles recede in to the distance.
Chris and Ed pose for a photo on top of Beinn Eighe. They both have heavy jackets and helmets on.
A pier receding in to the distance with a lighthouse at the end.
A photo from behind of a park bench overlooking a snowy river.
A photo of the front of Westminster Abbey at night. The entire front is lit up in bright pastel colours.
Orange balls of light hand suspended from darkness
Detail photo of the zipper of a grey jersey.
Chris and Ed stand at the top of Fiacaill ridge. The ground is mostly snowy with patches of brown.
A long photo looking down a snowy mountain to the valley. The small figure of Chris is visible in the distance with both hands in the air waving to the camera.
Orange streaks of light in a dark woodland.
A round shower of water is frozen in mid air by strobe lighting.
A sunny valley early in the morning. There’s a bit of mist in the background and several layers of mountains visible.
A photo of a light triangular light sculpture. A series of triangles is each lit up in white and bright colours. The triangles recede in to the distance.
A sea of blue EU flags and protest signs in the crowd at the protest.
PIeces of concrete are suspended between lengths of steel in a regular grid pattern.
Durham Cathedral at night, shot from the opposite bank of the river. The trees below are full of white mist.
Looking up at one of the entrances to the National Theatre. The photo is symmetrical - the corner leads to a stairwell at 45º, and the camera is at the bottom of the stairs.
Looking up a spiral staircase at the level above. There’s a red door in the distance.
A group of people on a dance floor.
A photo of James Greig as he takes a photo of some shrubs silhouette against the sun.
A close macro photo of some fine gree branches.
A photo of the front of a vintage recording device. The device has a label on the front reading “Tapak ‘NewsCaster’ spring-driven recorder”
A golden sunset with snow covered rocks and grasses in the foreground.
A woman in distress is given an IV.
Chris before base of Ben Nevis. He’s got a climbing rope on and axe on the back of his bag, and he’s using a walking pole to point up at the summit.
Looking up through a void in a roof, forming a triangle of sky. Framed in the sky is the top of a tower block in the Barbican, which also forms a triangle shape.
Small skeletons on display behind glass.
A wide panorama of the Gleann Eanaich valley. There’s snow on the upper parts of the mountains and in the valley it’s mostly brown.
Chris descending a snowy plateau.
A small faded orange life raft moored on the side of the river Ouse.
A portrait photo of Chris and Ed on top of a snowy mountain, with several other snowy summits visible behind.
Looking down a long walkway flanked by leafless trees on each side.
A deep orange frame with no distinct features. Two bodies can just be seen in the background.
Facing the exterior of a glass fronted building straight on. There’s a metal spiral staircase with yellow treads connecting the two floors.
A photo of a sign that reads ‘Barbican Trade Centre B’
Many small green maple leaves against a green background.
A wide photo of a snow covered mountain peak with other mountains in the far distance beyond a valley. At the top of the peak is a small figure.
A large mobile made from sheets of glass cut in to shapes of continents, forming a glass map of the world.
A man flies through the sky on giant wings.
A photo of several light orange maple with a dark background.
Chris at the start of the CMD Arete, going down. It’s very snowy with low visibility. The ridge is only just visible.
A photo of a several washing machines in a laundromat. The one immediately in front of the camera has its door open.
A close-up shot of some seedpods in grasses.
A snowy ridge recedes in to the distance. There’s very little visibility so it’s hard to see where the sky and ground connect.
Looking along the shore of Lake Harriet. Close to the shore the edges of the lake have frozen in to intricate shapes. The banks are brown and autumnal.
A vintage electronics pamphlet held in a hand above a piece of vintage electrical equipment. The pamphlet reads ‘Anyone can replace TV tubes’.
A detail photo of some fishing nets and lobster pots. There’s a bright orange buoy in the foreground.
A wide panorama of a snowy mountainside as the sun sets.
A photo taken from mid-way up Beinn Eighe, pointing down. Chris is ahead, descending the mountain.
Chris taking a photo looking down a sunny hillside. There’s dark clouds in the background.
Chris and our guide pull on a length of rope coming towards the camera. The rope runs around a pillar of snow making an anchor.
A photo of the artwork Spectral. Many strands of brightly neon coloured cord all run in the same direction, closely spaced. The cords run up to a ‘v’ in a tree trunk, and then down again.
A photo of the front of a vintage ‘tube tester’. The camera is looking directly down on a control panel. There’s dials and inputs all over, with a large swinging gauge in the center.
A crowd on Lambeth Bridge watch the New Years fireworks display over the London Eye. Many are holding phones in the air taking photos.
Ed drinking from a vacuum flask, with snowy mountainside in the distance. He’s wearing full climbing gear - helmet, harness, rucksack.
The Improbable Pedestal at the start of the ledge route. A tall, top-heavy rock stood apart from the mountainside.
A round shower of water is frozen in mid air by strobe lighting.
Looking down a greenish-blue river, with rotting wooden posts in the foreground.
Ed far in the distance facing the camera. He’s waving his axe over his head at the camera.
A photo pointing down at moss and grasses. The moss is deep red in colour.
A close macro photo of a vintage radio postcard. The postcard reads “HB 4 FE” and depicts a radio mast giving off signals inside an outline Switzerland.
A round shower of water is frozen in mid air by strobe lighting.
A photo of several closely grouped trees / trunks backlit by sun.
A group of climbers on hands and feet climbing the ledge route.
The vast hall of Durham Cathedral at night. The hall is filled at various levels by warm hanging lights. On closer inspection, the lights are made from white vests lit from within.
Looking straight on to the elevator lobby in Tate Modern. The room is filled with orange light from a series of regularly spaced fluorescent lamps.
Chris and our instructor walk along a path uphill. There’s small patches of snow in the distance, but the ground is otherwise brown and windswept.
A light sandy path twists away from the camera. There’s tall trees in the distance and bright yellow flowers along the edge of the path.
A large vintage suitcase telephone. It has a standard receiver, but the rotary dialer is much larger than normal. The whole unit is about the size of a small suitcase and has a handle on the top. It looks comically large.
Looking along a walkway in the Barbican.
A chalky path recedes in to the distance on a hillside. The sun is just setting on the horizon.
A photo of the rear of a vintage studio television camera as the operator would see it. There’s two circular dials lower down, and a small CRT display in the center. The number ‘3’ is written in marker in the middle.
Many yellow-orange maple leaves are lit up in sunlight against a dark background.
A small wooden shelter on a snowy mountainside with deep blue sky.
Chris holds a large boulder of snow as he faces the camera.
Ed and a guide walk up a snowy mountain on an overcast day. The camera angle is near to the ground looking up at their backs. They’re both connected by a climbing rope.
A snowy cornice seen from the side.
A photo looking through some branches at an icy river.
A woman stands in front of a white wall. A light shines on her from behind, casting a multi-coloured shadow on the wall.
A man reading a PaperLater newspaper in a coffee shop.
Photo of a grey merino jersey.
A grassy hill in late evening just before the light is gone.
A man descending a snowy hillside in afternoon sun.
Long shot of several ski mountaineers in a valley. They have skied to the end of the snow, and are now packing up their gear.
A birdcage is hung outside at night with bright green and red leds just behind it. In the foreground the shadows and light are projected on a screen.
Looking down on a staircase as people descend.
Several cactus in the foreground and background, with James looking outwards on the left hand side.
Ed looks out in to the distance, which is misty with low visibility. He’s holding a map and compass, and wearing a bright orange jacket and ski goggles.
A macro photo of rime / ice deposits on a rock.
A panorama from the banks of an icy river. There’s dark stones littering the riverbed and creamy ice in between.
A photographer wearing a hat composes a photo inside an orange foggy room.
A semicircle of solid glass sits in a white wall. A hand is visible on the other side, magnified.
Ed hiking uphill on a partially snow covered slope.
A close detail of a section of the National Theatre’s roof. In the foreground is the edge of a corner of concrete with wood effect. In the background another building roof can be seen slightly blurred.
An image with ferns and grasses in the foreground and a tower block in the background.
Ed climbing up the side of the Ledge route in very white conditions
A close up of a hornbill skull. The top of the beak has a sponge like quality.
A low contrast view of several snowy ridges.
Two groups of climbers walk towards the horizon in snow. The sky is foggy / overcast and blending in with the ground. The climbers are all wearing brightly coloured clothing.
Faces appear lit up inside three rows of Kilner jars.
A high zoom photo looking towards a section of the CMD arete on a sunny day. Tiny figures can be seen descending it.
Two people hold hands in a room. A light shines on them from one side, casting a multi-coloured shadow of them against the wall.
A close macro photo of the edges of several maple leaves. The image is deep red with dark orange leaves.
A photo of the a corner of The Barbican Centre with several tower blocks in the background.
A large black sphere in the corner of a white room. The sphere has a complex detailed texture. The texture is made from iron filings attracted to the sphere.
A woman with her head bandaged.
Four phones are held in the air taking photos and videos of fireworks in the distance.
A photo of a rocky cliff partially covered in snow. There’s strong fog everywhere so the background and bottom of the cliff can’t be seen. There’s a shadow of a person at the tip of the cliff.
A photo of a map of the United States. There are approximately 30 maroon or grey push-pins inserted at various locations.
A solitary sheep looks towards the photographer. A wire fence divides the two.
A photo directly facing a workbench inside an automotive garage.
A photo taken facing along Fiacaill ridge. There’s climbers walking along various sections of it, with one in the foreground.
A close macro photo of a light orange maple leaf.
Feathers spin quickly at night. They’re lit from below, and look almost like smoke.
A wide photo looking down on Chris on a mostly brown hillside, with patches of snow here and there.
A close shot of the roof of the Hayward gallery. The roof is covered in metal and glass pyramids to capture light.
A closeup of a sculpture made from gold-coloured wires bent in to angled shapes.
Photo looking up a snowy hillside. Ed is in the foreground holding an axe above his head. The sun is nearly directly behind him.
The emergency hut at the top of Ben Nevis. It’s covered in lots of snow, so only a patch of the top of the doorway is visible. There’s low visibility so it looks somewhat ghostly.
A photo of a Barbican walkway with a pond in the foreground.
A photo taken in a dark warehouse from below. A green light is in the center in a cross shape.
A sponge specimen of Geordia norvegica inside a glass vial.
Ed and Chris with axes in the air on a snowy plateau.
Two boots with crampons on are in the foreground descending a steep snowy mountain. Ed can be seen a few meters ahead.
Macro photo of the clothing label in a grey jersey.
A photo of autumnal woodland. There’s a small trench in the floor receding in the distance.
A photo from the side of a highway looking over the side. Lake Superior is in the background.
A protest sign taped to the back of a woman in a black leather jacket. The sign looks like an emergency exit sign and reads “Exit; BREXIT”.
Several green maple leaves are lit up in sunlight against a dark background.
Looking up at a series of concrete balconies on the upper levels of the Brunswick Centre.
Looking out the viewing area inside the Frank Lloyd Wright gas station.
Two paths diverge in an open area near some woods.
A woman stands in front of a white wall. A light shines on her from behind, casting a multi-coloured shadow on the wall.
A portrait of Chris and Ed near the summit of Stob Bàn.
A photo of a lit sign that reads ‘Danger - laser radiation’
A soldier attacks the camera.
A telephoto photo of Ed walking up a wide snowy hill. He’s a small dark figure in an otherwise very bleak landscape. There’s an ice axe in his right hand.
Some large rocky hills near Ben Nevis. They’re covered in snow and ice, and you can just make out small coloured figures dotted around them - people climbing the ice.
A sphere is formed by several large rings of steel intersecting each other. At each intersection is a clump of rough concrete.
A large stag faces the camera, lit from the right with dawn sunlight
Ed looks back to the camera as he descends a steep snowy ridge.
The frame is filled with circles of light in an arc pattern. The colours vary from deep oranges to light lilac.
A gloved hand holds a compass and map in front of the camera as a blurred figure walks ahead in the distance surrounded by snow and fog.
Close photo of rime on rocks at the top of a snowy mountain.
A small piece of china with a blue graphic sits in the stump of an old tree.
A photo taken from a bridge down a stretch of stream. There’s autumnal trees on either side. In the distance another bridge can be seen with a heron sat on it.
Three silhouetted dancers in smoke.
looking down a snowy hill with low grey clouds. Ed is off to one side walking up towards the camera.
A long telephoto photo of a snowy ridge in the distance. A few small brightly coloured figures can be seen on the ridge.
A panorama taken from Aonach Mòr looking towards Ben Nevis. The sky is sunny and deep blue, and there’s a cloud inversion, so the ground isn’t visible.
A photo of a valley in Torridon, just before sunrise. The sky is bright, but the land very dark still.
A grassy field with some trees on the right hand side.
Pairs of brightly coloured lights in the shape of shoes dangle from a line suspended between two rows of houses.
Looking through leaf-less trees and pines to Lake Superior
Looking straight on down an exterior walkway in the Barbican. There’s a balcony / walkway at the end, and an autumnal tree lit up brilliantly in orange in the afternoon sun.
A small lighthouse at the end of a pier is silhouette in front of a setting sun.
A dark industrial pier in a bay. There’s a small lighthouse in the distance.
A photo down the banks of the Baptism river. The river is 70% covered in snow and ice, with a wire bridge in the background crossing the river.
A detail of one of the Brunswick Centre’s stairwells from the side.
Facing straight on to a large orange sign in front of a cottage. The sign is written in large uppercase blue letters and reads ‘VIROL’.
A bivvy bag and rucksack sit in a hollow depression in the grass in the last of the evening light. The sky is dark blue and calm.
Looking far south over the horizon from Aonach Mòr. There’s a low cloud inversion, so just the tops of various mountains can be seen.
A photo of a cardoon head in autumn sunlight. It looks like a cross between a thistle and an artichoke.
Looking up at Morrison’s gully in Beinn Eighe from below.
Looking side on to a small boat on stilts out of water.
Several prickly stems of a cactus backlit by sunlight
Chris walking away from the camera and towards Beinn Eighe, just at sunrise.
A rectangular stony clearing in a brown outdoor area.
A small wooden lookout from above the Baptism river.
Chris and our instructor stand on a level section of Fiacaill ridge. There’s low cloud on the mountain, but some sunlight just breaking through.
A phone is held taking a photo of fireworks in the distance.
A large tree stump is lit up from the side in dawn sunlight.
Chris walking ahead up a snowy mountain - there’s low visibility and a few flakes of snow in the air.
A man wearing a mask holds an electric drill to another man’s head.
A photo of four people walking in late evening sunlight. They’re silhouetted with sunlight behind them.
Ed looking down at a compass held precisely on a map.
A macro photo of a tree branch with small plants growing out of it.
A paraglider stands on the ground with a large sail inflated overhead.
Small cork capped vials of bone fragments stacked end to end, row upon row.
A photo of an exterior wall in the Barbican. The wall is pebbledash concrete. On the left and right side are white tiles.
A large cylindrical light projects abstract patterns outwards on to the surrounding walls
Photo of a hand holding a smartphone, which is showing a web article.
A photo taken from behind as Chris walks ahead. The sun is directly ahead causing Chris to be mostly silhouette with brightly lit edges of his body. The surrounding countryside is fresh with evergreen trees and a snowy mountain in the background.
Looking down a dirt path with grass and bushes on either side in the late afternoon sun.
A dark photo of some dark red maple leaves.
Ed Horsford standing next to the Cairngorm weather station, holding an ice axe over his head. The weather station is completely iced over and there’s very little visibility.
A small stream in a sunny valley landscape. There’s patches of snow on the right bank.
A panorama taken from the bowl of the Ring of Steall at dusk. The sky is still bright with dramatic clouds, but the mountains and ground around are getting dark.
The exterior of the Barbican conservatory.
Many balloons float above a dark street - the balloons are lit like light bulbs.
Ed Horsford reading a OS map next to the Cairngorm mountain weather station
Three female deer poke their heads above ferns in morning sunlight.
A man drops yellow flower petals over a balcony.
A dark mysterious photo showing several computer screens lit up with magnifying panels in front of them.
Two climbing bags lean against each other - deserted on a snowy plateau.
A Messerschmitt car on fire after being blown up.
The Glenfinnan viaduct seen from the side.
A photo of a snowy road.
A photo of some fluffy tufts on some bushes. They’re backlit by sunlight.
A close photo of many connecting metal rods making a 3d geometric shape.
A photo of a light triangular light sculpture. A series of triangles is each lit up in white and bright colours. The triangles recede in to the distance.
A man holding an origami paper bird, followed by other people.
A close macro photo of a pale orange rose, with soft dappled light in the background.
A stag faces to the left of the camera, partially hidden by ferns.
A single protest sign held high in the air. It’s white with black text. The text reads ‘Please stop. You’re fucking everything up.’
Looking down a steep gully from up high. The base of the gully is filled with snow.
A marine talks to a fellow soldier.
Several plants inside the Barbican conservatory.
A black sphere made from many hexagons and pieces of mirror.
The side of a curved covered walkway in the Barbican.
Ed walking towards the camera, approaching a small stream. It’s just after dawn and the sun is directly in front.
A pair of walkers decend a snow covered hill.
Looking up the void of a staircase through a metal grate. The void is triangular.
Long leaves of a tree are silhouetted against direct sunlight.
A panorama taken from the top of High Falls. The falls are partially frozen over with white and frothy ice.
Chris takes a big step out on to an exposed section of Fiacaill ridge. His axe is in a crack providing support.
A photo taken in a dark warehouse from above, looking down. There’s a single blue line of light snaking from the floor to the ceiling.
Ed stands facing the camera in a blue jacket and yellow hat.
Photo of a vintage poster describing with words and diagrams how to use a rotary telephone. The main reading reads “The best in telephone service is at your fingertips...” with a 6 step diagram for how to use a rotary phone.
A close macro of the artwork, showing a detailed texture made from iron filings. The texture is made from iron filings attracted to the sphere.
A photo taken in a dark warehouse from below. There’s a single blue line of light drawn erratically in the center.
Small coloured plastic pieces join together to make geometric shapes.
Chris stands facing the camera in a bright red jacket.
Harry Tuttle uses pliers on some machinery.
A lone cross country skier on an otherwise flat and snowy plateau.
A photo of an autumnal red maple tree with yellow maple leaves in the background.
Chris walking ahead of camera, with several snowy mountains ahead of him.
A photo taken from close to the ground of snow covered grasses.
A photo taken from the banks of baptism river. There’s dry grases in the foreground and sparkles from snow in the air.
Looking up at the top of a tower block on the Golden Lane estate. The block has contrasting patches of bright white and yellow.
A highland cow close-up, looking directly at the camera.
Ed Horsford mid leap whilst crossing a small stream.
Chris kneeling on a snowy plateau taking a photo.
A close macro photo of a translucent dark red and violet object. There are blurred people in the background.
Laura Marling sings whilst playing the guitar.
Looking up at the exterior of one of the stairwells of the Brunswick Centre.
A macro photo of climbing gear on our instructor’s harness. Chris is visible in the background.
Our instructor gets placing climbing equipment on the edge of an overhang on Fiacaill ridge.
Small flowers blossom in the morning sun.
A photo taken from a steel footbridge over Baptism river. The camera is facing directly down the bridge.
A photo of some snowy rocks on a mountainside. The sun is low in the distance but obscured by snow clouds. There’s flurries of snow all around.
Four vertical panels are side by side in the dark. They’re light from behind with bright neon colours, projected with shadows of birdcages.
A telephoto photo of Ed on a snowy mountainside. There’s mounds of rocks and snow in the foreground partially obscuring Ed. The camera is focused on the foreground so that Ed is partially blurred.
A golden sunset with snow covered rocks and grasses in the foreground.
Ed and Chris kneel down with ice axes in hand at the top of Stob Coire an t-Sneachda
Ed ascending towards the camera. There’s several large boulders partially covered in snow to the right.
A photo taken from under highway 61 as it passes over the Baptism river. There’s a blue arrow pointing to the right.
A photo of a rocky and snowy path in a forest.
A close macro photo of a beige maple leaf
A hand in the foreground holds a compass and map. In the background is a figure walking away. The compass is pointing towards the figure.
A close detail photo of the upper square corner of one part of the National Theatre’s roof.
A macro photo through a circular window looking at several sensing instruments pointing at a coin.
A badly rusted metal sign attached to a tree trunk in a woodland. The letters ‘fire’ are just visible.
A wide photo of many orange maple leaves from underneath a maple tree.
Two hikers climb a somewhat steep snowy hillside. It’s overcast with flurries of snow around.
Three phones are held in the air taking photos of fireworks in the distance.
A woman in a check shirt overlooks a still tank of black oil.
A photo of several autumnal leaves against a dark background.
Looking towards the Ben Nevis. In the foreground, the CMD arete can be seen snaking down and across the frame.
Photo of four merino jerseys overlaid on each other.
A round shower of water is frozen in mid air by strobe lighting.
Photo of a PaperLater newspaper being read on a bus.
Ed in far distance is a dark spec on an otherwise white mountain.
A neon sign with the word ‘Lumier’ in blue, surrounded by red neon.
A golden sunset with grasses silhouetted in the foreground.
A photo of High Falls taken from the pool at it’s base. The water is partially frozen over.
A wide shot at dusk looking up a snowy hill. A figure (Ed) in the distance can be seen waving an ice axe.
A grid of radio postcards on a wall. The cards are evenly spaced, but each very differently designed. Some have bold typography featuring 5 letter codes. Others depict animals / planes / local scenes.
Two stags are silhouette in front of dawn sunlight, partially hidden by ferns.
Photo of a red merino jersey.
A long photo of several hikers in the distance walking along a snowy path on a mountain side.
A macro photo of a light coloured maple leaf against a soft focus sky background.
Looking down at a pair of boots with crampons on icy ground.
A large black sphere in the corner of a white room. The sphere has a complex detailed texture. The texture is made from iron filings attracted to the sphere.
A close photo of a large stag’s head. The stag is looking directly at the camera.
A wide angle photo of a very tall tree with two colourful maple trees at the base, one orange, one red.
Looking down on two concrete supports for the first floor terrace of the National Theatre. The floor is tiled and the photo is otherwise very grey.
A photo taken from high up, overlooking a bend in Baptism river. The river is mostly covered in snow and ice. There’s sparkles in the air from snow flying about.
A solid sphere of glass fills the right frame of the photo, set against black. There’s an image of a woman’s face magnified inside the glass.
A photo of Ed walking in the distance up a snowy mountain.
A photo of frozen ice on a lake. The ice has broken up in to many sharp pieces, then refrozen. As a result the surface is cracked and bumpy, yet solid.
Many balloons float above the ground of Trafalgar Square - the balloons are lit like light bulbs.
A round shower of water is frozen in mid air by strobe lighting.
Sunrise over lightly snow covered hills.
A hiker with hiking pole descends a snow covered hill at sunset.
An inflatable gold star stuck in a tree.
Reverse stereographic panorama of a purple room.
A woman stands in front of a white wall. A light shines on her from behind, casting a multi-coloured shadow on the wall.
Looking across the edge of a snowy mountain. There’s tiny specks from walkers on the hills
A photo taken from the side of US highway 61.
Looking through a glass window with several reflections.
Ed climbing a snowy and grassy mountainside. In the far distance the brown base of the valley can be seen with a river running through the middle.
Chris stands at the foot of a snowy coire with early morning sun ahead of him.
A woman wearing a shoe-hat talks to a man.
Ed stoops low to place a piece of climbing gear in a rockface.
A young fox walks from right to left in short grass, ears pricked up.
A photo of the artwork Spectral. Many strands of brightly neon coloured cord all run in the same direction, closely spaced.
Chris hiking in a t-shirt on a brown grassy path. There’s partially snow covered hills in the distance.
A model globe made from red neon tubes.
A closeup of a translucent dark red and violet object.
Chris walking along the Devil’s ridge towards the camera. He’s on one side of a sharp snowy ridge.
Five glass microscope slides filled with various specimens. They each have cream labels and handwritten notes.
People dancing on on a lit-up dance floor.
Ed in the distance looking down over a snow covered ridge.
Looking down a metallic tunnel to a light fixture at the end.
Chris stands on a high path taking a photo of the Gleann Eanaich valley in bright sunlight.
A wooden sign points the way along the South Downs way in late afternoon sunlight.
A soft focus image of some branches with dry grass in the background.
Looking down a grassy hill with a farm in the distance. A faint chalky line can be seen on the ground - part of the Long Man of Wilmington.
A cream coloured highland cow with large horns faces the camera. There’s long shaggy hair covering it’s eyes.