Fuji X-T20

Looking up a narrow street in bright sunlight.
A photo of two parts of a large iron sculpture by artist Eduardo Chillida. The sculptures sit on the coastline with the sea to the right. One piece dominates in the foreground, with another just visible in the background.
A photo facing straight on in a kitchen, facing out towards a kitchen. There’s floor to ceiling glass windows, and a smart table in the foreground.
An interior photo of some boilers in Maat. The room is filled with pipes of all sizes and is generally painted in bright primary colours.
Looking down on the red tile roofs of the Alfama neighbourhood
Looking directly down the Urumea river to the next bridge. There’s lots of green trees on each side of the bank, and the water is calm.
A panorama taken from midway up Snowdon before sunrise. The sky is lightening, but the landscape is still dark.
Looking straight on to the Chapelle de Sales in bright sunlight.
Chris crosses a series of tall rocks pointing straight up in the air like crystals.
A close photo of a rusting iron sculpture by artist Eduardo Chillida. The sculpture splits in to three arms that curve outwards and then inwards.
Several specimens in glass jars in a display case at the Pharmacy museum in Basel.
Oj walking ahead down a straight path. On the left are rows of wheat. On the right is a hedge of wild flowers.
A detail shot of an unfinished metallic form of a Konstantin Grcic chair. The form is made of metal struts connected together with waste metal from the mould still visible.
Wide photo of pale green room with several red mechanical sculptures in the middle.
Looking straight down a train platform, with tracks on either side. There’s a train on the left hand side.
Bumper cars sit unused at the top of a mountain. In the background the city of San Sebastián can be seen below.
Looking straight on to a green doorway. The door is covered in stickers and graffiti.
A photo of several streets and pavements taken from above. It looks closer to a model than a real street scene.
A photo of the roof of the Museu Nacional d’Art de Catalunya
A close photo of a mosaic at Casa Milà. The tiles are roughly broken and all white - they’re arranged in a spiral pattern.
A photo of the frosted glass garage door of a fire station. There’s a sign that reads ‘feuerwehr’ (fire department), and a symbol with a red no entry sign.
A large fountain in the centre of the frame on a sunny day. The fountain is made from a large circular cone shape, purple-red at the top, fading to red at the bottom.
Looking up at skylight windows in a train station. The ceiling is cast concrete, and the lights are made from a grid of glass tiles.
Looking up at the exterior of a 5 story building. In the middle on the fourth floor one window and wall is knocked out. A group of fake birds are suspended in the sky as if in flight past the building.
Looking down to a street intersection.
A photo taken in the courtyard of the Champalimaud Foundation. There’s a raised platform on the left, with Ed Horsford sat looking at the camera. On the right are two tall concrete towers set against a very deep blue sky.
A retro looking sign that reads ‘Cosmicar entrada’ with sci-fi looking graphics.
Looking up at two exterior sculptural concrete towers in the Champalimaud Foundation. The towers are light grey in an otherwise deep blue sky.
Looking up a the corner of the roof of an angled building in late evening light.
Looking directly down a tight stone spiral staircase
Cracked white markings on tarmac. They’re in a regular grid pattern with arrows at one end.
A photo of the Montserrat mountain range taken from an airplane. A plane engine is visible in the foreground.
Facing straight on a rectangular fountain in an open air square. There’s four flags on the right hand side.
The front of the lower Montserrat cable car station. It has bright yellow letters on the side, reading “Funicular aeri de Montserrat”.
Oliver Wooderson stands on the ruin of a building wall looking in to the inside of the ruin.
A sunrise photo taken from midway up Snowdon, facing the sun. There’s a still lake on the bottom, reflecting some of the sunrise.
A plate of pintxos on a wooden bench next to a basket of bread, a glass of beer, and a glass of white wine. One pinxto is a slice of baguette with ham. The other is half of a sea urchin.
Looking up at an ornate street lamp amongst some tall trees on a sunny day.
A photo of a display case showing many small models of people and various tools. The models are for use in historical dioramas.
Looking towards a window inside the Vitra showroom. The room has a profile like a house with a pointed roof. Inside the room is a long table and bench.
A small piece of beef sits on a plate green vinaigrette and a glass of beer in the background.
A round silver cone points directly at the camera. Iit is surrounded by a colourful mosaic print. It reflects some of the colours from the print.
Several sheep graze on a grassy mountain side.
A hiker walks ahead of the camera silhouetted by afternoon sun ahead. There’s tufty grass all around and no clear path.
A shot under a covered walkway in the Golden Lane estate.
An exterior view of the internal courtyard in the Jerónimos monastery. Several decorative carved pillars in light sandy stone can be seen in strong sunlight.
A close photo of a white rose bush. The flowers are smaller than normal roses.
A photo of many small white models of roof spires of la Sagrada Família.
A photo of a dark room with three wooden display cabinets filled with white objects on one side.
Looking down a staircase in a train station. The base of the stairs has an irregular tiled pattern.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
The summit of snowdon seen from just below. The summit is in shadow with a light dusting of snow.
Looking up at the ruins of the Carmo Convent. All that remains are the arches of the building, with blue sky where the ceiling would be.
At night time, looking down the beach promenade to the city. There’s a mix of yellow sodium lamps with more modern white leds.
Ed sat on a large rock, overlooking a large and deep valley.
Inside the Vitra Design Museum archive. The room is brightly lit with aluminium shelves on each side receding in to the distance. On the shelves are many different chairs.
Photo looking up an escalator in to a bright sunny day. There’s someone on the escalator ahead.
Wide angle photo looking up from the central courtyard at the Torre de Belém. The walls of the courtyard loom on each side, with the main tower in front. The sky is bright blue with no clouds.
A photo of the side of a metro platform, taken from the opposite side.
Looking straight on in the interior of the Maat engine room. there’s a large boiler to the left and tall windows in the background. Black pipes descend from above.
A display case of various types of light bulb.
A peacock looks stood side on looks at the camera. It’s stood in the shade of a peach pastel coloured building.
A hand rests on a large mosaic of broken white tiles.
A bright colourful view of an alleyway. The alley ends in a large mosaic.
A photo looking down on a path curving away.
A photo of Ed Horsford looking out over a round balcony to the landscape of Sintra beyond
Ed and Oj stand at the top of the Pointe de Salles looking north over the valley.
A photo of the winners podium at the Barcelona olympic stadium. The podium is made of three red cylinders of different heights.
The view from the upper cable car station in Montserrat. There’s a yellow cable car on the right, and mountains in the distance.
A macro photo of a set of doorbells on the wall. There are 6 white buttons on a dark green base.
Looking up at the peaks of some mountains in Montserrat. The rocks are bulbous and separated like molten lumps.
A photo taken from one side of a valley facing the other. The opposite face is deeply scarred, with patches of moss green on the upper faces.
A photo of a corner of a building with a mural on the side. There’s a small monkey-puzzle tree in front.
A view inside of a vintage wooden fair ride.
Looking up at a streetlamp in a narrow street. It’s daylight, so the streetlamp isn’t on.
A brown and white goat with horns stares straight at the camera, with it’s mouth open. It’s stood on a branch of a tree above the photographer.
Looking up a narrow alleyway filled with two flights of steps. The buildings on each side are painted in light pink pastel colours
A narrow street in Getaria, with sunlight on one side.
An open air photo of two tiled walls. They’re perpendicular to each other and each end is slanted like the roof of a building.
A photo of the olympic stadium in Barcelona. The photo is taken from one end, looking in to the main arena. There are seats all around and the playing field in the centre.
A close photo of the edge of a jagged and sharp rock at the top of Glyder Fawr.
A photo of the top of an exterior window. The wall has a small decorative tile pattern and a graphic of a small person is stuck on the top right of the window.
A close macro photo of some white wild flowers.
Many brightly coloured abstract forms are suspended from the ceiling of a pale blue room.
A plate of fried mushrooms with an unbroken egg yoke in the centre.
A view of the open-air courtyard in the centre of Pena Palace. The courtyard has blue and white checkerboard tiles, and a large fountain in the shape of a shell in the center.
Looking up at a wooden stairwell with large skylight.
A wide photo of the main ceiling dome in the Museu Nacional d’Art de Catalunya. There’s intricate murals in the centre, and arches of windows on all four sides.
A model of a satellite is just visible in a dark gallery interior.
The jagged face of snowdon before sunrise. The mountain has a light dusting of snow on the top.
Macro photo of a roll of paper with small holes punched out of it. The roll is being fed through some machinery.
Chris reaches up to a large cantilevered overhanging him.
A dark room filled with many eery metallic sculptures by Jean Tinguely.
Two model makers pour plaster in to a mould.
Looking down on to one corner of the Moorish castle.
Looking down on the beaches of San Sebastián from above.
A wide angle photo looking down an interior staircase to the front door of a building. The staircase is steep, and on either side the walls are covered to shoulder height with blue and white patterned tiles.
A photo of some hexagonal floor tiles in Casa Milà. There’s a rich floral texture on them.
Looking directly up the Torre Galp from just inside the structure. The structure is painted in a light green-blue colour and made of many steel beams. On the right a walkway arcs around the frame.
A photo along some railwaylines. There’s train tracks on the left and three red gas canisters on the right.
A photo of an exterior walkway near the National coach museum. On the right is a glass exterior wall of the building with strong reflections obscuring the inside. On the left are two wide concrete columns supporting the walkway.
A photo of a 3-part folding mirror in a bathroom. Reflected in the mirrors are a sink, a bath, and a doorway.
A photo of a zebra crossing in Basel.
Looking on to an exterior wall in Pena Palace. The wall is fortified.
A photo looking down a valley in shadow as the sun sets. The right hand cliff is still lit brightly, in contrast to the dark blue rocks below.
A hiker on a path with a wide sunny valley behind him.
A square panorama looking down from high up to the streets of Lisbon. Down the centre of the frame a pedestrian street recedes. At the bottom of the frame is a large road.
A view inside an art installation at the Vitra Design Museum. There’s mirrors ahead and on the sides creating an infinite loop. The room is dark, but small squares of light repeat.
Two grey storage buildings in a foggy grass covered field.
A photo from inside the atrium of the Museu d’Art Contemporani de Barcelona.
Oj smiling as he looks at the camera and holds some purple flowers.
A hiker with large rucksack walks in front of the camera on a grassy hill.
An interior photo of the top of a spiral staircase. The foot of the stairs reads ‘Salida Exit Sortie’
A detail shot of one oval window of the Champalimaud Foundation. On the right the window is shown at an acute angle, with deep blue sky behind and tree ferns encroaching. In the background a plane can be seen flying away with a white contrail visible against the deep blue sky.
A photo of Ed Horsford on a beach. The camera is positioned low down, pointing directly at the water. Ed is in the centre, facing the camera with arms folded.
White steel beams in the shape of rectangles 50′ tall are spaced regularly 20′ appart. The camera looks up from the corner at the regular white grid this makes against the blue sky.
Looking out from high up at the 25 de Abril Bridge and Village Underground.
The interior of the roof of Bilbao airport.
A photo of an octopus dish served at El Xampanyet.
Oj in the air, mid jump. He’s high up on a mountainside in the bright sun.
Looking out the window to the stairwell of the Monte Igueldo funicular station.
A photo of an original construction prototype made for la Sagrada Família. The model has hundreds of small weights hung from loops of string forming catenary curves. The shape of the curves helped determine the arch shapes and position of supports.
Several plates of tapas being eaten in El Xampanyet.
A white sheep looks directly at the camera
Looking up an alleyway. The foreground is dark and in shadow, but the background is brightly lit by sun. The alley ends with a light coloured building covered in graffiti.
Looking up at the interior of the ceiling in the Jerónimos monastery.
Looking straight on to a bus window. The interior of the window reveals the contents of a small working kitchen. The text ‘village’ is visible in white text in the middle of the window.
A view of Ermita de Sant Joan on the Montserrat hills.
Looking up to a circular opening in a wooden roof.
A photo taken from the exterior walkway of the new Maat gallery. On the right is the glass exterior wall of the gallery with the letters ‘maat’ visible in large white text. On the left the Tagus river and shore of Porto Brandão can be seen through a long cut away in the walkway.
Looking down the central courtyard of Priory Green estate.
A ridge leads from the left to the right from Snowdon to the peak of Y Lliwedd.
Looking up at the ceiling of the Maat engine room. There’s various walkways crossing the room and tall thin glass windows going up to the roof.
Looking straight-on to the Portugal pavilion. The pavilion has a large suspended roof that curves gently downwards in the centre.
A photo of three very large gold-rimmed mirrors leaning against a wall, with a white building reflected in the background. The photographer’s reflection is centered in the middle.
A patterned glass window in la Sagrada Família. It looks similar to an abstract stained glass window, but with frosty white glass.
The camera looks through a window from outside to the interior of a room. In the centre of the room a large model of an octopus is suspended from the ceiling.
A display case in the Pharmacy museum in Basel. Many small specimens can be seen on each shelf.
The view from the Montserrat train station, looking up at the hills overhead.
A photo taken from a cable car overlooking a port.
A photo taken from the roof of the Museu Nacional d’Art de Catalunya, looking out over Barcelona.
Chris descends a gently sloping hillside covered in large frost-covered boulders.
A soft photo of some jagged rocks.
Looking inside a small chapel. The inside is bare except for a few religious artefacts on a cement table.
A photo of a meat counter in a market.
A style on a mountainside at dawn.
A photo looking down the edge of a tower block with a tower block with yellow trim in the background.
A small pond at the head of a stream lit by late afternoon sun and deep blue sky.
A view of one corner of the Castle of the Moors with fortified walls receding in to the distance.
Looking directly down the central platform in a train station. On the left a train is waiting. The station is small and with a low roof.
Looking up at the exterior of a church window. The surround is made from brown bricks, and you can see the neighbouring building reflected in the window glass.
A large mechanical metal sculpture in a room - made from several car parts.
Exterior castle battlements covered in moss on a sunny day.
A small tent and a tarp are set up next to each other at night. The camera is close to the ground looking at them, with stars visible in the sky. The left of the frame is bright orange from a nearby fire. There’s trails of sparks crossing the frame from the fire.
A small brown wild pony looks at the camera as it stands near a small stream.
A photo of the base of an escalator in a metro train station.
A panorama of the Rhine taken from the middle of a bridge.
The peak of Ylliwedd seen in the distance in shadow.
A hiker stands still looking at the camera holding bunches of sticks in each hand. He’s lit from behind by golden sunlight.
An interior view of three windows in the Carmo Convent - the interior is dark but warmly lit by the three windows.
A wide-angle photo of a living room. It’s very bright, with wooden furniture and floral patterns.
A macro photo of several cans of tuna stacked on a shelf. The cans have a vintage look and are labeled ‘Tricana’.
A view of the town of Montserrat. The cathedral is in the foreground, with mountains looming behind.
A photo of a small warning beacon on a pier. The beacon is painted in white and green stripes. Ed Horsford is stood on a ladder near the top, looking at the camera.
18 small white arrows are painted on a stretch of tarmac. They all point the same way.
Ed Horsford sat on the ground near a tarp looking away from the camera. He’s lit from one side.
Looking straight on to a large control panel in Maat. The panel has a several columns of controls and dials and has a light grey-green surface colour.
Lynn stands in front of the Rezola cement factory. There’s a winding cycle path in front of her.
A figure is lit by glowing embers of a bbq at night. He’s wearing a head torch and looking to the sky. In the background, the last of the daylight is visible on the horizon.
Looking towards the ceiling of the main atrium of la Sagrada Família. The very top of the ceiling is especially bright from many small lights.
A photo looking directly up at the large hall of la Sagrada Família. There are 8 main support columns that radiate outwards.
Oj climbs deeply creased rocks under a deep blue sky.
Looking down a series of regular castle battlements. A large olive tree as tall as the battlements is visible on the right.
Looking up a valley. A path ascends the valley on the right, with Oj walking half way up it.
Looking down a field of vines in rows.
Looking through a circular arch between two pillars to some trees beyond.
Two sheep on a grassy hill look at the camera in early evening light. The sky is tinged with blue and pink clouds.
A photo taken from the courtyard of the Vitra Design Museum showroom.
A self portrait of Ed Horsford, silhouetted by strong sunlight behind him.
The front entrance to Hammersmith Town Hall. The entrance has staircases on either side.
A photo of two light panels displaying photos of microscopic objects.
Looking down the centre of a covered food market.
A close shot of the wall of the Rezola cement factory. The wall is made of grey corrugated steel with yellow trim.
A wide angle photo looking down void of the interior of one of a la Sagrada Família tower.
A view of two buildings in the Pena palace. the near building is covered in deep blue tiles with light stone trim. The far building is cylindrical and yellow.
A photo of the walls and courtyard of a small house. The three walls are coloured in different shades of yellow - deep, mid, and light.
Looking sideways at a road and bicycle path. In the background a white fence blocks the view, but is partially broken revealing some tall grass behind.
A close detail shot of an aged carved marble pillar in the Torre de Belém. The column has a spiral shape with fine flowers carved at regular intervals.
Two people at the top of a tor are jumping in the air.
A painting on a wall in the form of a comic strip. The main visible text starts ‘5 Outubro de 1910’.
A panorama taken from a bridge over the Rhine at nighttime. There are buildings in the distance lit up and lights reflected in the water.
A funicular car descending a steep street in bright sunlight.
A viewing platform in Bauhaus style.
Looking up at a grand ceiling.
A photo of a sculpture in a field. It consists of 12 poles emerging from the earth and pointing upwards. They’re arranged in a row, and are coloured like a rainbow, from green to blue, red, and yellow.
A panorama looking straight at the Pointe de Chardonnière
A photo taken on the roof of the Joan Miró Foundation. There are white walls on the side, some with rounded corners. There’s an abstract coloured sculpture in the centre of the terrace.
Looking down the side of a tower block in Priory Green estate.
Looking up at a series of angled windows from a lookout.
A close macro photo of some carvings in Pena Palace. The carvings look like worms / coral.
A white and brown pony with hairy legs bends down and eats some grass.
A detail of the exterior tiling at the top of one of the towers in la Sagrada Família.
A view down a cut v in two rock faces. Both faces are very steep.
Just after sunset looking over the bay in San Sebastián.
A panorama of the bowl of Snowdon taken just after sunrise. The right side of the mountain is bathed in orange sunlight, whilst the bowl and left are still in shadow.
A panorama of Lisbon at night. The streets are filled with yellow and white lights and a suspension bridge can be seen in the distance.
A photo looking down on choppy sea water from above.