Tamron 24-70mm f/2.8

An empty plastic CRT case with two lights for eyes
A photo from a moving light installation. A bright point light is projected on the floor, and wanders randomly around. The floor is covered in a material that glows for a period when exposed to light. The end effect is of random lines of light green and blue drawn all over the ground.
Multicoloured lines of light in a dark room converge to the bottom right.
A small tarn in an otherwise featureless landscape.
Chris stood crouched just off path taking a photo of a magenta foxglove.
An aged wooden sign on a fence says ‘No right of way’ - it’s also covered in chicken wire.
A sheep looks directly at the camera.
Two wax casts of a male head are suspended on either end of a mobile, in front of a dark background. A light from one side projects a shadow of another head on a nearby white sheet.
A footpath sign points from right to left, marking the summit of Whernside, 1.75 miles away.
Chris in silhouette against an empty hillside, facing the sun as it sets.
A vintage computer with glowing green display shows a pattern on screen.
Two shoots of magenta foxgloves in full bloom.
In a dark room, facing straight on to two very large reflective panels, each made up of hundreds of lenses or mirrors.
A dark photo with ball shaped object on the left and surrounded by dots of light like stars. The object is similar to a mirror ball but with flat faces and lit up like an old CRT TV.
A long strip of paper is held up between two hands, with holes punched along the length spelling the words ‘infrastructure club’.
A life sized Van de Graff generator makes a very large spark.
A stone wall recedes up and in to the distance. Chris stands at the far end looking out over one side.
A video still of two hands manipulating a deck of cards. The hands are a luminous green, and the cards are a pink / magenta colour.
Three rows of red seven segment displays one behind the other make three highly precise clocks.
Ed and Chris sit on long grass in late golden sunset.
Ed and Chris stand in silhouette towards a very right and golden sunset.
Looking down a long green valley. A stone path winds from the right.
The face of Malham Cove as seen from a distance on a sunny day.
A bunch of slip-cast moulds on a table, several filled with liquid clay.
A close photo of the top row of stones of a stone all. The stones all lean to one side. In the background the sun is just setting.
A man works with a punch on a titanium spork.
Facing straight on to a wooden box with a large sign in uppercase that reads: “Stretcher box”.
A life sized Van de Graff generator makes a very large spark.
A photo front on of an abandoned telephone booth. Inside is a red sign that says ‘no smoking no naked lights’ in capital letters. The area is overgrown with brambles.
A lone sheep stands on the edge of a ledge looking at the camera.
Looking through a void to an exposed brick wall, partially lit by sunlight.
A group of freshly made slip-casts, drying on a table.
Two vintage television monitors are stacked vertically in a dark room, each showing a bald man’s head. The same head is projected on the wall behind them.
A small crevasse in the hillside, with a stream running through the middle.
A portrait photo of the side of a gas works, with another visible in the distance. The metal is mostly rusted with patches of peeling paint visible.
Sunrise over Whernside. Chris stands in the foreground in silhouette, taking a photo of the sun.
A large neon sculpture comprised of multiple overlaid words. All parts are lit up.
A large neon sculpture comprised of multiple overlaid words. The word ‘nature’ is prominently lit.
A large neon sculpture comprised of multiple overlaid words. The photo is taken from the side.
Ed and Chris stand still in the dark next to their tents. Each tent glows slightly from within.
Looking down at a limestone pavement in Whernside. The limestone is severely eroded and filled with grass in between.
A large neon sculpture comprised of multiple overlaid words. Only some words are lit up.
A hammer and some snips discarded on a wooden table. Paper templates of sporks are littered about.
A tight crop through brambles of various parts of gas works railing.
A close crop of what looks like a large multi-faceted glass lens or many small mirrors.
Looking through some green vines to the interior of a large greenhouse.
A detail shot of a metal staircase.
A small stream comes from the distance and under the camera. The hillside is green and sunny.
The EMF camp 2024 sign in daylight.
Looking up to the roof of a structure. Only the beams of the room remain, with some branches growing upwards.
A small tarn on the approach to Scafell Pike.
A dirt path with some steps winds up a dark green moss and grass covered hill, leading to a large rock formation in the distance.
A selection of tools on a table.
A gas work from afar, showing the railings curving round. Another gas work is visible in the distance.
A dark scene with a single concrete pillar in the middle left. Six lines of light are evenly spaced vertically either side of the pillar. There’s fog in the room. Cables extend to and from the lines of light - reminiscent of telegraph poles.
A vintage television set is set on the floor in the lower right. A figure waves on the set. Behind the TV is a large metal cage.
A photo of two gas works, taken near to one. The floor of the dome of the nearest works is visible.
A panorama of Ribblehead Viaduct from a distance.
Looking up an ominous rock formation near Scafell Pike
Looking straight up at the side of a gas works from close by. The metal railings are rusted with peeling paint.
Dawn over Ingleborough
Two coloured geometric metal objects rest on a concrete floor.
A dry stone wall crosses the frame, with green fields in the background.