Fuji 10-24mm f/4

Looking straight on to a large control panel in Maat. The panel has a several columns of controls and dials and has a light grey-green surface colour.
A photo of two light panels displaying photos of microscopic objects.
A panorama taken from a bridge over the Rhine at nighttime. There are buildings in the distance lit up and lights reflected in the water.
The peak of Ylliwedd seen in the distance in shadow.
Looking straight-on to the Portugal pavilion. The pavilion has a large suspended roof that curves gently downwards in the centre.
Looking down the side of a tower block in Priory Green estate.
A photo of a 3-part folding mirror in a bathroom. Reflected in the mirrors are a sink, a bath, and a doorway.
Chris crosses a series of tall rocks pointing straight up in the air like crystals.
Chris descends a gently sloping hillside covered in large frost-covered boulders.
A photo looking down the edge of a tower block with a tower block with yellow trim in the background.
Many brightly coloured abstract forms are suspended from the ceiling of a pale blue room.
Looking straight on in the interior of the Maat engine room. there’s a large boiler to the left and tall windows in the background. Black pipes descend from above.
The front entrance to Hammersmith Town Hall. The entrance has staircases on either side.
The view from the upper cable car station in Montserrat. There’s a yellow cable car on the right, and mountains in the distance.
A display case of various types of light bulb.
Looking up at a series of angled windows from a lookout.
A photo of the frosted glass garage door of a fire station. There’s a sign that reads ‘feuerwehr’ (fire department), and a symbol with a red no entry sign.
A photo taken from a cable car overlooking a port.
Looking directly up the Torre Galp from just inside the structure. The structure is painted in a light green-blue colour and made of many steel beams. On the right a walkway arcs around the frame.
A view down a cut v in two rock faces. Both faces are very steep.
A photo of several streets and pavements taken from above. It looks closer to a model than a real street scene.
Looking straight on to a bus window. The interior of the window reveals the contents of a small working kitchen. The text ‘village’ is visible in white text in the middle of the window.
A wide-angle photo of a living room. It’s very bright, with wooden furniture and floral patterns.
Several specimens in glass jars in a display case at the Pharmacy museum in Basel.
The view from the Montserrat train station, looking up at the hills overhead.
Ed and Oj stand at the top of the Pointe de Salles looking north over the valley.
A panorama taken from midway up Snowdon before sunrise. The sky is lightening, but the landscape is still dark.
A small tent and a tarp are set up next to each other at night. The camera is close to the ground looking at them, with stars visible in the sky. The left of the frame is bright orange from a nearby fire. There’s trails of sparks crossing the frame from the fire.
Looking down a staircase in a train station. The base of the stairs has an irregular tiled pattern.
An interior photo of some boilers in Maat. The room is filled with pipes of all sizes and is generally painted in bright primary colours.
Looking up at a wooden stairwell with large skylight.
A panorama of Lisbon at night. The streets are filled with yellow and white lights and a suspension bridge can be seen in the distance.
Looking sideways at a road and bicycle path. In the background a white fence blocks the view, but is partially broken revealing some tall grass behind.
An open air photo of two tiled walls. They’re perpendicular to each other and each end is slanted like the roof of a building.
A photo taken from one side of a valley facing the other. The opposite face is deeply scarred, with patches of moss green on the upper faces.
A hiker stands still looking at the camera holding bunches of sticks in each hand. He’s lit from behind by golden sunlight.
A small pond at the head of a stream lit by late afternoon sun and deep blue sky.
Wide photo of pale green room with several red mechanical sculptures in the middle.
Oj in the air, mid jump. He’s high up on a mountainside in the bright sun.
A detail shot of an unfinished metallic form of a Konstantin Grcic chair. The form is made of metal struts connected together with waste metal from the mould still visible.
Looking up at the exterior of a 5 story building. In the middle on the fourth floor one window and wall is knocked out. A group of fake birds are suspended in the sky as if in flight past the building.
Looking down the central courtyard of Priory Green estate.
A viewing platform in Bauhaus style.
A view of Ermita de Sant Joan on the Montserrat hills.
18 small white arrows are painted on a stretch of tarmac. They all point the same way.
A photo of a dark room with three wooden display cabinets filled with white objects on one side.
Looking straight on to the Chapelle de Sales in bright sunlight.
A photo looking directly up at the large hall of la Sagrada Família. There are 8 main support columns that radiate outwards.
A figure is lit by glowing embers of a bbq at night. He’s wearing a head torch and looking to the sky. In the background, the last of the daylight is visible on the horizon.
Looking up a valley. A path ascends the valley on the right, with Oj walking half way up it.
White steel beams in the shape of rectangles 50′ tall are spaced regularly 20′ appart. The camera looks up from the corner at the regular white grid this makes against the blue sky.
The jagged face of snowdon before sunrise. The mountain has a light dusting of snow on the top.
A hiker walks ahead of the camera silhouetted by afternoon sun ahead. There’s tufty grass all around and no clear path.
A wide photo of the main ceiling dome in the Museu Nacional d’Art de Catalunya. There’s intricate murals in the centre, and arches of windows on all four sides.
A display case in the Pharmacy museum in Basel. Many small specimens can be seen on each shelf.
Looking inside a small chapel. The inside is bare except for a few religious artefacts on a cement table.
A photo facing straight on in a kitchen, facing out towards a kitchen. There’s floor to ceiling glass windows, and a smart table in the foreground.
A photo of an original construction prototype made for la Sagrada Família. The model has hundreds of small weights hung from loops of string forming catenary curves. The shape of the curves helped determine the arch shapes and position of supports.
Looking up at skylight windows in a train station. The ceiling is cast concrete, and the lights are made from a grid of glass tiles.
A photo looking down a valley in shadow as the sun sets. The right hand cliff is still lit brightly, in contrast to the dark blue rocks below.
Macro photo of a roll of paper with small holes punched out of it. The roll is being fed through some machinery.
A panorama of the bowl of Snowdon taken just after sunrise. The right side of the mountain is bathed in orange sunlight, whilst the bowl and left are still in shadow.
A shot under a covered walkway in the Golden Lane estate.
A small brown wild pony looks at the camera as it stands near a small stream.
Looking up at the peaks of some mountains in Montserrat. The rocks are bulbous and separated like molten lumps.
Inside the Vitra Design Museum archive. The room is brightly lit with aluminium shelves on each side receding in to the distance. On the shelves are many different chairs.
A photo of a corner of a building with a mural on the side. There’s a small monkey-puzzle tree in front.
A photo taken from the roof of the Museu Nacional d’Art de Catalunya, looking out over Barcelona.
A large fountain in the centre of the frame on a sunny day. The fountain is made from a large circular cone shape, purple-red at the top, fading to red at the bottom.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
A panorama of the Rhine taken from the middle of a bridge.
A view inside an art installation at the Vitra Design Museum. There’s mirrors ahead and on the sides creating an infinite loop. The room is dark, but small squares of light repeat.
A self portrait of Ed Horsford, silhouetted by strong sunlight behind him.
Looking up at two exterior sculptural concrete towers in the Champalimaud Foundation. The towers are light grey in an otherwise deep blue sky.
A view of the town of Montserrat. The cathedral is in the foreground, with mountains looming behind.
A photo of three very large gold-rimmed mirrors leaning against a wall, with a white building reflected in the background. The photographer’s reflection is centered in the middle.
Looking up at the ceiling of the Maat engine room. There’s various walkways crossing the room and tall thin glass windows going up to the roof.
Ed sat on a large rock, overlooking a large and deep valley.
Facing straight on a rectangular fountain in an open air square. There’s four flags on the right hand side.
A square panorama looking down from high up to the streets of Lisbon. Down the centre of the frame a pedestrian street recedes. At the bottom of the frame is a large road.
Looking down a field of vines in rows.
A photo of the olympic stadium in Barcelona. The photo is taken from one end, looking in to the main arena. There are seats all around and the playing field in the centre.
A photo taken on the roof of the Joan Miró Foundation. There are white walls on the side, some with rounded corners. There’s an abstract coloured sculpture in the centre of the terrace.
A bright colourful view of an alleyway. The alley ends in a large mosaic.
A photo of a sculpture in a field. It consists of 12 poles emerging from the earth and pointing upwards. They’re arranged in a row, and are coloured like a rainbow, from green to blue, red, and yellow.
Looking towards the ceiling of the main atrium of la Sagrada Família. The very top of the ceiling is especially bright from many small lights.
Looking down the centre of a covered food market.
A dark room filled with many eery metallic sculptures by Jean Tinguely.
A wide angle photo looking down void of the interior of one of a la Sagrada Família tower.
A panorama looking straight at the Pointe de Chardonnière
A round silver cone points directly at the camera. Iit is surrounded by a colourful mosaic print. It reflects some of the colours from the print.
A photo of a display case showing many small models of people and various tools. The models are for use in historical dioramas.
A photo along some railwaylines. There’s train tracks on the left and three red gas canisters on the right.
A photo of a small warning beacon on a pier. The beacon is painted in white and green stripes. Ed Horsford is stood on a ladder near the top, looking at the camera.
A large mechanical metal sculpture in a room - made from several car parts.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
Looking out from high up at the 25 de Abril Bridge and Village Underground.
Wide angle photo looking up from the central courtyard at the Torre de Belém. The walls of the courtyard loom on each side, with the main tower in front. The sky is bright blue with no clouds.
Oj climbs deeply creased rocks under a deep blue sky.
A view inside of a vintage wooden fair ride.
Chris reaches up to a large cantilevered overhanging him.
Several sheep graze on a grassy mountain side.
A photo taken from the exterior walkway of the new Maat gallery. On the right is the glass exterior wall of the gallery with the letters ‘maat’ visible in large white text. On the left the Tagus river and shore of Porto Brandão can be seen through a long cut away in the walkway.
A photo of Ed Horsford on a beach. The camera is positioned low down, pointing directly at the water. Ed is in the centre, facing the camera with arms folded.
A sunrise photo taken from midway up Snowdon, facing the sun. There’s a still lake on the bottom, reflecting some of the sunrise.
Looking up at a grand ceiling.
A photo of a zebra crossing in Basel.
Oliver Wooderson stands on the ruin of a building wall looking in to the inside of the ruin.
Looking directly down a tight stone spiral staircase
A photo taken from the courtyard of the Vitra Design Museum showroom.
A wide angle photo looking down an interior staircase to the front door of a building. The staircase is steep, and on either side the walls are covered to shoulder height with blue and white patterned tiles.
A photo of the roof of the Museu Nacional d’Art de Catalunya
A hiker on a path with a wide sunny valley behind him.
A photo looking down on a path curving away.
Looking towards a window inside the Vitra showroom. The room has a profile like a house with a pointed roof. Inside the room is a long table and bench.
A brown and white goat with horns stares straight at the camera, with it’s mouth open. It’s stood on a branch of a tree above the photographer.
A style on a mountainside at dawn.