Wide focal length

The EMF camp 2024 sign in daylight.
In a dark room, facing straight on to two very large reflective panels, each made up of hundreds of lenses or mirrors.
In a pitch black room a tripod can be seen in the centre illuminated by a single point of light on top of the tripod facing towards the camera.
In a dark room, a light in the middle faces to the right and has illuminated one half. What can be seen is bare concrete.
Geometric shapes in blues and pinks on a dark background. Shapes are more on the left than the right. They look almost like a projection of a 3d rendered room.
Geometric shapes fill the field of view horizontally. They’re various shades of blue. One pink trapezoid is on the right.
A pitch black room. A series of small white spheres are in the centre in a line to the distance. They are faintly light from the right casting shadows on the left wall. The White spheres look like moons.
A photo of two gas works, taken near to one. The floor of the dome of the nearest works is visible.
Looking straight up at the side of a gas works from close by. The metal railings are rusted with peeling paint.
A photo front on of an abandoned telephone booth. Inside is a red sign that says ‘no smoking no naked lights’ in capital letters. The area is overgrown with brambles.
Two vintage television monitors are stacked vertically in a dark room, each showing a bald man’s head. The same head is projected on the wall behind them.
Ed looking out over lake at dawn.
Four vertical panels are side by side in the dark. They’re light from behind with bright neon colours, projected with shadows of birdcages.
Orange streaks of light in a dark woodland.
A large cylindrical light projects abstract patterns outwards on to the surrounding walls
The face of Malham Cove as seen from a distance on a sunny day.
Chris stood crouched just off path taking a photo of a magenta foxglove.
A panorama of Ribblehead Viaduct from a distance.
Sunrise over Whernside. Chris stands in the foreground in silhouette, taking a photo of the sun.
Ed and Chris stand still in the dark next to their tents. Each tent glows slightly from within.
Two shoots of magenta foxgloves in full bloom.
A footpath sign points from right to left, marking the summit of Whernside, 1.75 miles away.
A small crevasse in the hillside, with a stream running through the middle.
A dirt path with some steps winds up a dark green moss and grass covered hill, leading to a large rock formation in the distance.
A small tarn on the approach to Scafell Pike.
Looking down a long green valley. A stone path winds from the right.
Facing straight on to a wooden box with a large sign in uppercase that reads: “Stretcher box”.
A small stream comes from the distance and under the camera. The hillside is green and sunny.
A portrait photo of Chris and Ed on top of a snowy mountain, with several other snowy summits visible behind.
Ed climbing a snowy and grassy mountainside. In the far distance the brown base of the valley can be seen with a river running through the middle.
Ed ascending towards the camera. There’s several large boulders partially covered in snow to the right.
A wide shot at dusk looking up a snowy hill. A figure (Ed) in the distance can be seen waving an ice axe.
Looking straight on to the Chapelle de Sales in bright sunlight.
A large black sphere in the corner of a white room. The sphere has a complex detailed texture. The texture is made from iron filings attracted to the sphere.
A deep orange frame with no distinct features. Two bodies can just be seen in the background.
Looking down a metallic tunnel to a light fixture at the end.
Looking straight on to the elevator lobby in Tate Modern. The room is filled with orange light from a series of regularly spaced fluorescent lamps.
A round shower of water is frozen in mid air by strobe lighting.
A round shower of water is frozen in mid air by strobe lighting.
A round shower of water is frozen in mid air by strobe lighting.
A round shower of water is frozen in mid air by strobe lighting.
A round shower of water is frozen in mid air by strobe lighting.
Looking up at the ruins of the Carmo Convent. All that remains are the arches of the building, with blue sky where the ceiling would be.
An interior view of three windows in the Carmo Convent - the interior is dark but warmly lit by the three windows.
Looking up at an ornate street lamp amongst some tall trees on a sunny day.
A view of the open-air courtyard in the centre of Pena Palace. The courtyard has blue and white checkerboard tiles, and a large fountain in the shape of a shell in the center.
Looking on to an exterior wall in Pena Palace. The wall is fortified.
A view of one corner of the Castle of the Moors with fortified walls receding in to the distance.
Looking down on to one corner of the Moorish castle.
Looking directly down the central platform in a train station. On the left a train is waiting. The station is small and with a low roof.
A white and brown pony with hairy legs bends down and eats some grass.
Looking up at the exterior of one of the stairwells of the Brunswick Centre.
Looking directly down the Urumea river to the next bridge. There’s lots of green trees on each side of the bank, and the water is calm.
A plate of pintxos on a wooden bench next to a basket of bread, a glass of beer, and a glass of white wine. One pinxto is a slice of baguette with ham. The other is half of a sea urchin.
A plate of fried mushrooms with an unbroken egg yoke in the centre.
A small piece of beef sits on a plate green vinaigrette and a glass of beer in the background.
Just after sunset looking over the bay in San Sebastián.
At night time, looking down the beach promenade to the city. There’s a mix of yellow sodium lamps with more modern white leds.
Looking out the window to the stairwell of the Monte Igueldo funicular station.
A close photo of a rusting iron sculpture by artist Eduardo Chillida. The sculpture splits in to three arms that curve outwards and then inwards.
A photo of two parts of a large iron sculpture by artist Eduardo Chillida. The sculptures sit on the coastline with the sea to the right. One piece dominates in the foreground, with another just visible in the background.
Bumper cars sit unused at the top of a mountain. In the background the city of San Sebastián can be seen below.
Looking straight on to a green doorway. The door is covered in stickers and graffiti.
A retro looking sign that reads ‘Cosmicar entrada’ with sci-fi looking graphics.
Looking down on the beaches of San Sebastián from above.
Lynn stands in front of the Rezola cement factory. There’s a winding cycle path in front of her.
A wide photo of a snow covered mountain peak with other mountains in the far distance beyond a valley. At the top of the peak is a small figure.
A portrait of Chris and Ed near the summit of Stob Bàn.
A photo taken in a dark warehouse from below. A green light is in the center in a cross shape.
A photo taken in a dark warehouse from below. There’s a single blue line of light drawn erratically in the center.
A crowd on Lambeth Bridge watch the New Years fireworks display over the London Eye. Many are holding phones in the air taking photos.
A small stream in a sunny valley landscape. There’s patches of snow on the right bank.
A wide panorama of the Gleann Eanaich valley. There’s snow on the upper parts of the mountains and in the valley it’s mostly brown.
Chris stands on a high path taking a photo of the Gleann Eanaich valley in bright sunlight.
A man descending a snowy hillside in afternoon sun.
A hand in the foreground holds a compass and map. In the background is a figure walking away. The compass is pointing towards the figure.
A photo taken from under highway 61 as it passes over the Baptism river. There’s a blue arrow pointing to the right.
A photo down the banks of the Baptism river. The river is 70% covered in snow and ice, with a wire bridge in the background crossing the river.
A photo of High Falls taken from the pool at it’s base. The water is partially frozen over.
Looking through leaf-less trees and pines to Lake Superior
A photo directly facing a workbench inside an automotive garage.
A photo from behind of a park bench overlooking a snowy river.
A grassy field with some trees on the right hand side.
A small lighthouse at the end of a pier is silhouette in front of a setting sun.
A vintage electronics pamphlet held in a hand above a piece of vintage electrical equipment. The pamphlet reads ‘Anyone can replace TV tubes’.
Looking along the shore of Lake Harriet. Close to the shore the edges of the lake have frozen in to intricate shapes. The banks are brown and autumnal.
A photo of autumnal woodland. There’s a small trench in the floor receding in the distance.
Facing straight on a rectangular fountain in an open air square. There’s four flags on the right hand side.
A viewing platform in Bauhaus style.
Looking down a long walkway flanked by leafless trees on each side.
A close photo of a mosaic at Casa Milà. The tiles are roughly broken and all white - they’re arranged in a spiral pattern.
A hand rests on a large mosaic of broken white tiles.
A photo of some hexagonal floor tiles in Casa Milà. There’s a rich floral texture on them.
A photo of the side of a metro platform, taken from the opposite side.
Looking straight down a train platform, with tracks on either side. There’s a train on the left hand side.
The front of the lower Montserrat cable car station. It has bright yellow letters on the side, reading “Funicular aeri de Montserrat”.
A photo of the base of an escalator in a metro train station.
Photo looking up an escalator in to a bright sunny day. There’s someone on the escalator ahead.
A photo of an octopus dish served at El Xampanyet.
Several plates of tapas being eaten in El Xampanyet.
A photo from inside the atrium of the Museu d’Art Contemporani de Barcelona.
A photo of a meat counter in a market.
A photo of a snowy road.
Harry Tuttle uses pliers on some machinery.
People dancing on on a lit-up dance floor.
A soldier attacks the camera.
Photo of a red merino jersey.
Photo of a grey merino jersey.
Photo of four merino jerseys overlaid on each other.
A panorama of Lisbon at night. The streets are filled with yellow and white lights and a suspension bridge can be seen in the distance.
A panorama taken from midway up Snowdon before sunrise. The sky is lightening, but the landscape is still dark.
Durham Cathedral at night, shot from the opposite bank of the river. The trees below are full of white mist.
A projector projects repeating patterns on to the trees on a far riverbank.
A projector projects repeating patterns on to the trees on a far riverbank.
A vertical panorama from the side of Malham Cove. A large rock face looms over Chris.
A vertical panorama from the side of Malham Cove.
Chris on the CMD Arete. It’s a near whiteout so you can only just see the rock-face in the middle.
A fine mist of water drops in a dark room, lit from the side. A woman stands in front of the artwork.
A round silver cone points directly at the camera. Iit is surrounded by a colourful mosaic print. It reflects some of the colours from the print.
A wide photo looking down on Chris on a mostly brown hillside, with patches of snow here and there.
A wide photo in morning sunlight. In the background there’s a hump of a snowy hillside. In the foreground there’s brownish grass with tall trees littered about.
An area is marked off in the corner of a room in the shape of a cube. Ed Horsford stands in the area. To the left is a sign that reads “By standing in the zone created by this drawing, and for the period you remain there, you declare and agree that you are a citizen of the United States of America.”.
A detail shot of an unfinished metallic form of a Konstantin Grcic chair. The form is made of metal struts connected together with waste metal from the mould still visible.
The view from the Montserrat train station, looking up at the hills overhead.
A set of furniture against a white wall. The furniture is heavily burned and missing in places.
A display case of various types of light bulb.
A photo of the front of the Frank Lloyd Wright gas station. There’s gas pumps in the front and a tall sign reading ‘BEST’.
A photo of a corner of a building with a mural on the side. There’s a small monkey-puzzle tree in front.
A photo of a bush of ‘Russian sage’ or ‘perovskia atriplicifolia’. It’s very light grey or white, with a slate name tag in the centre.
Looking side on to a small boat on stilts out of water.
Three sets of footprints rise out from the snow. They’re compressed bits of snow, and the surrounding snow has eroded away.
A panorama taken from the bowl of the Ring of Steall at dusk. The sky is still bright with dramatic clouds, but the mountains and ground around are getting dark.
Chris crossing a rope bridge over a river, coming towards the camera. It’s pitch black, and he’s got a headtorch to lead the way.
Chris a way ahead descending a snowy mountain after dusk.
A low contrast view of several snowy ridges.
A snowy ridge recedes in to the distance. There’s very little visibility so it’s hard to see where the sky and ground connect.
Chris walking ahead up a snowy mountain - there’s low visibility and a few flakes of snow in the air.
Some large rocky hills near Ben Nevis. They’re covered in snow and ice, and you can just make out small coloured figures dotted around them - people climbing the ice.
Chris stands facing the camera in a bright red jacket.
A panorama of a late afternoon beach. There’s tall grass across most of the beach, with a deep blue sky with dark clouds overhead.
A hand holding the remains of a crab’s claw
A cream coloured highland cow with large horns faces the camera. There’s long shaggy hair covering it’s eyes.
A detail photo of some fishing nets and lobster pots.
A detail photo of some fishing nets and lobster pots. There’s a bright orange buoy in the foreground.
A photo taken from mid-way up Beinn Eighe, pointing down. Chris is ahead, descending the mountain.
Chris and Ed pose for a photo on top of Beinn Eighe. They both have heavy jackets and helmets on.
Looking down a steep gully from up high. The base of the gully is filled with snow.
Looking up a snowy gully. Chris is mid way up the frame, crouched in the snow, looking at the camera.
Looking up at Morrison’s gully in Beinn Eighe from below.
A panorama from the base of Beinn Eighe, looking north. In the right of the frame a small waterfall flows left. Chris is stood at the top of the waterfall in a bright red jacket.
Panorama from side of Beinn Eighe. The landscape is brown with patches of green in a partially sunny day.
Chris walking away from the camera and towards Beinn Eighe, just at sunrise.
A photo of a valley in Torridon, just before sunrise. The sky is bright, but the land very dark still.
Ed and Oj sat at a picnic bench half way up a valley. There’s a large red awning above them.
A wide panorama of a valley with steep rocky sides.
A close photo of the trunk of a medium sized tree. A stripe of white-red-white stripe has been painted horizontally around the trunk.
A yellow circle painted on a rock, with a smiling face in the middle.
A wide panorama from the Pointe d’Angolon
Oj climbing a steep path on the left, with a panorama of the alps to the right of him. In the center of the frame is a large pipe emerging from the hillside.
A panorama taken from the valley of the Refuge de Sales
Ed holds a railing as he looks from one side of a steep valley to the other. The side he’s stood on has a near vertical wall of stone, with a path cut out in to it.
A large black sphere in the corner of a white room. The sphere has a complex detailed texture. The texture is made from iron filings attracted to the sphere.
The shadow of Ed Horsford taking a photo with a large camera. His shadow is made up of multiple different colours from light yellow through to green and pink.
A panorama of a crowd of people in front of the Pyramid stage.
Oj and Rogan wait in a crowd for a band to start.
A close photo of a light sculpture. It is made up of small light coloured cubes which are glowing shades of blue and pink.
A music fan sits on a friend’s shoulders and sways in the yellow smoky light in front of the stage.
James and Oj face away from the camera under at night under a lit tree.
Sunset over Glastonbury. There’s tents on the right and a plane on the left.
Holding a Beavertown beer can in golden sunset by a group of tents.
A panorama of rolling hills in Dartmoor in late evening sunlight. On the left a hiker (Oliver Wooderson) with large rucksack points downhill.
A panorama of a grassy hillside. In the centre a small tent and tarp can be seen set up.
A panorama taking on a foggy day from the side of a small stream. A hiker is ahead on the stream walking downhill.
A panorama in a small moss covered woodland. A hiker is walking downhill on the left.
A portrait photo of the entrance to a 4 storey building at the end of a wide alleyway. The building is painted in pastel-yellow, and has a pastel pink building to the left.
Looking from inside to a window looking out on a high vista. The interior is dark with dark wood window frame. Through the window the sky outside is bright. The window is made from two sets of 2x4 small glass frames. The bottom row is bright orange from an balcony outside.
Looking down at a parque brick floor. At the base of the image are the photographer’s feet. Above them is speckled bright dots of light.
Looking up at a tall ornate red building in Pena palace.
A panorama in bright sunlight of the Champalimaud Foundation courtyard. On the right the large main wall of the building is visible with three large oval openings cut away.
A group of tall marble statues are arranged in a tight grid and surrounded by tall fencing. They’re lit from one side by a streetlamp.
A photo taken looking through a glass shop window to the display inside. The display has multiple model cable cars, but it’s hard to make them out because of many reflections from the windows. The photo has a rather abstract feel.
A panorama of the neighbourhood of Alfama from a viewpoint. There’s a large cruise ship in the see directly in front.
Looking straight down an empty underground train.
A large protest sign high in the air. The sign shows the Article 50 petition on petition.parliament.uk and in large letters shows that it had more than 4.3 million signatures.
A white horse extremely close to the camera with it’s nostrils covering half the frame.
Looking down a dirt path with grass and bushes on either side in the late afternoon sun.
A wooden sign points the way along the South Downs way in late afternoon sunlight.
A grassy hill in late evening just before the light is gone.
A chalky path recedes in to the distance on a hillside. The sun is just setting on the horizon.
Twilight over the South Downs. The sky is clear with yellow and orange hues on the horizon.
Looking down a grassy hill with a farm in the distance. A faint chalky line can be seen on the ground - part of the Long Man of Wilmington.
A bivvy bag and rucksack sit in a hollow depression in the grass in the last of the evening light. The sky is dark blue and calm.
Small flowers blossom in the morning sun.
A solitary sheep looks towards the photographer. A wire fence divides the two.
A paraglider stands on the ground with a large sail inflated overhead.
Looking down a greenish-blue river, with rotting wooden posts in the foreground.
A small faded orange life raft moored on the side of the river Ouse.
Looking across to the other side of a street in Getaria. In the central divider there is a red rowing boat.
Inside the San Sebastián bus station. The loading bay is large and dark, with a circular sculpture in the middle, letting light in from above.
A concrete sculpture at the side of the road. The sculpture resembles origami with lots of folded corners.
Looking up at an ornate bandstand roof. The bandstand is oval in shape and the upper walls have stained glass.
Looking down on a plate of food. There’s two fried pieces of cod’s chek, with a sprig of seaweed and green dressing drizzled about.
A close up of a small bowl of food with a spoon in the side. The bowl contains two chunks of octopus in a white creamy sauce.
A close up of a bowl of food. The bowl contains a single scallop in a white cream sauce. There’s scattered fried seaweed on top.
A sunset over the bay in San Sebastián. There’s trees and signs in the foreground causing many silhouettes to break the sunset.
A plate of food just before it gets eaten. A knife and fork are poised to cut in to the plate. The plate contains a single large piece of meat with crispy skin.
Small cork capped vials of bone fragments stacked end to end, row upon row.
Small skeletons on display behind glass.
A panorama of a white mountainside, with occasional dark patch of rock.
Chris holds a large boulder of snow as he faces the camera.
Chris and our guide pull on a length of rope coming towards the camera. The rope runs around a pillar of snow making an anchor.
A snowy mountainside and valley, with swirls of snow in the air.
Ed wearing a green softshell jacket with hood over his helmet on the side of a snowy mountain.
Looking down on Chris on the side of a snowy mountain.
A panorama of the interior of Futuro house. There’s six yellow padded seats against the wall, and four white tulip chairs with yellow padded seats in the foreground.
A detail of the center of the ceiling of Futuro house. There are three oval light shades suspended from the ceiling.
A detail of yellow padded seating inside Futuro house.
A detail of the exterior of Futuro house. There’s two oval windows emanating yellow light, and white light on a building near the house.
Facing straight on Futuro House. It’s on the roof of a building on a cloudy night.
A badly rusted metal sign attached to a tree trunk in a woodland. The letters ‘fire’ are just visible.
A small piece of china with a blue graphic sits in the stump of an old tree.
Two paths diverge in an open area near some woods.
A rectangular stony clearing in a brown outdoor area.
A light sandy path twists away from the camera. There’s tall trees in the distance and bright yellow flowers along the edge of the path.
A gloved hand holds a compass and map in front of the camera as a blurred figure walks ahead in the distance surrounded by snow and fog.
Chris hiking in a t-shirt on a brown grassy path. There’s partially snow covered hills in the distance.
A photo pointing down at moss and grasses. The moss is deep red in colour.
Chris taking a photo looking down a sunny hillside. There’s dark clouds in the background.
Chris and our instructor walk along a path uphill. There’s small patches of snow in the distance, but the ground is otherwise brown and windswept.
Chris and our instructor stand on a level section of Fiacaill ridge. There’s low cloud on the mountain, but some sunlight just breaking through.
Our instructor gets placing climbing equipment on the edge of an overhang on Fiacaill ridge.
Chris takes a big step out on to an exposed section of Fiacaill ridge. His axe is in a crack providing support.
A macro photo of climbing gear on our instructor’s harness. Chris is visible in the background.
Photo of the backs of Chris and our instructor. Our instructor is pointing downhill with a ski pole. There’s dramatic lighting in the sky - sunlight in the foreground and ominous dark clouds in the background. There are patches of snow on the ground.
Facing straight on to a large orange sign in front of a cottage. The sign is written in large uppercase blue letters and reads ‘VIROL’.
Two climbers in full winter gear at the top of a snowy mountain.
A photo looking up a snowy mountain - in the near distance is Chris Natt holding an ice axe over his head. There’s flurries of snow all around.
Four people walk on rocky and snowy ground in poor visibility.
Four men wrapped up in winter clothing huddle on a snowy mountain.
A man uses the corner of a compass to look at a map. He’s sat inside a snow hole.
A black and white contour map of the Cairngorms on a table. Parts of it have been hand-coloured in yellow, orange, and green to indicate avalanche risk.
The weather station antenna at the top of Cairngorm mountain. It’s completely iced over.
A selection of winter mountaineering tools on carpet. Pictured are a helmet, crampons, ice probe, shovel, and ice axe.
A photo from the shore of Lake Superior, looking East. There’s snowy frocks on the right.
A photo of the front of a vintage recording device. The device has a label on the front reading “Tapak ‘NewsCaster’ spring-driven recorder”
A photograph of a vintage radio player. The player has two reading heads side by side rather than one. The record has two visible tracks.
Photo of the front of a vintage radio battery. The battery is brightly coloured with a graphic dark blue, light blue, white and red design. The front text reads “Ray-o-vac radio ‘B’ battery”
A wall covered neatly with posters, 4 high and 11 across. The posters are mostly text based with some bold colours and show pro-EU, anti-brexit messages.
Five projectors in a dark room project black and white photos on to a wall.
A close photo of a model of a lizard with flowers growing out of it’s back.
A photo of tram tracks and painted white stripes on a stretch of road.
Photo of a light sculpture by Dan Flavin in the Kunstmuseum. The sculpture is a long fluorescent bulb stretching between two walls in the corner of a room. The bulb is the only source of light, and gives of a blue and white light.
A circular skylight. The surrounding ceiling and walls are dark concrete.
A photo of two dry bags on the floor.
Looking up at some stained glass windows in la Sagrada Família. The near ceiling is faceted and coloured green and blue from the window light.
A close up of some tiled mosaic on the exterior of la Sagrada Família. The tiles are arranged in five segments like a pie chart. The top three segments are pink, and the bottom two are gold.
An artist painting a replica of a large oil painting hung on the wall.
Looking up the tracks of a funicular railway from inside the train car.
A panorama half looking over the Montserrat countryside and half looking at a path along the side of a mountain that is covered by steep rock.
A panorama taken a the top of Sant Jeroni in Montserrat. The sky is gloomy but clear skies can be seen in the distance.
A photo of some mountains in Montserrat as seen from the peak of Sant Jeroni
A photo looking down a long corridor with two moving walkways on either side.
A photo looking up a steep street / alley in Barcelona. There’s an open-air escalator in the middle and steps either side.
A photo of wide pavement / walkway that rises slightly.
Several people with paper socks are sat in a gloss white room with white light overhead.
A photo looking straight down the covered Beech Street. The photo is dark, with white criss cross lights on the ceiling, receding into the distance.
A photo looking straight down the covered Beech Street. The photo is dark, with red and blue lights on the ceiling, receding into the distance.
A photo looking straight down the covered Beech Street. The photo is dark, with a projection of a solar system on the ceiling.
A photo looking straight down the covered Beech Street. The entire ceiling is covered with a patchwork of bright projected colours.
A detail of a curved wooden wall receding in to the distance.
A detail of a curved wooden wall. The panels have a regular pattern.
The ceiling in the Bloomberg building. There’s a staircase curving around it.
A detail shot of the celing lights in the Bloomberg building. There lights are small LEDs surrounded by curved plastic.
A selection of Roman artefacts under glass.
An interior shot of the Bloomberg building. There are walkways overhead.
The Bloomberg TV studio. There are several large cameras pointed at a desk, and several large LED displays.
The entrance to the Bloomberg building. There are sweeping wooden walls leading to another room.
A wide panorama of an auditorium room.
A 3d map / sign for the Golden Lane estate.
A macro photo of some spiky leaves.
Looking down on the central courtyard of Priory Green estate.
A man drops yellow flower petals over a balcony.
Laura Marling sings whilst playing the guitar.
An empty plastic CRT case with two lights for eyes
A close macro of the artwork, showing a detailed texture made from iron filings. The texture is made from iron filings attracted to the sphere.
A photographer wearing a hat composes a photo inside an orange foggy room.
A large fountain in the centre of the frame on a sunny day. The fountain is made from a large circular cone shape, purple-red at the top, fading to red at the bottom.
A photo of the front of a vintage ‘tube tester’. The camera is looking directly down on a control panel. There’s dials and inputs all over, with a large swinging gauge in the center.
A photo of a display case showing many small models of people and various tools. The models are for use in historical dioramas.
A photo of the roof of the Museu Nacional d’Art de Catalunya
A view of Ermita de Sant Joan on the Montserrat hills.
A highland cow close-up, looking directly at the camera.
Red lasers in a dark room form lines at regular angles, sweeping a curve to the left.
Red lasers in a dark room form even horizontal lines going from bottom left to upper right. A figure is silhouetted in front of them.
A style on a mountainside at dawn.
The emergency hut at the top of Ben Nevis. It’s covered in lots of snow, so only a patch of the top of the doorway is visible. There’s low visibility so it looks somewhat ghostly.
A solid sphere of glass fills the right frame of the photo, set against black. There’s an image of a woman’s face magnified inside the glass.
A small brown wild pony looks at the camera as it stands near a small stream.
A close macro photo of some fine gree branches.
A photo looking down the edge of a tower block with a tower block with yellow trim in the background.
Looking down at a limestone pavement in Whernside. The limestone is severely eroded and filled with grass in between.
Ed and Chris sit on long grass in late golden sunset.
A semicircle of solid glass sits in a white wall. A hand is visible on the other side, magnified.
Looking up at skylight windows in a train station. The ceiling is cast concrete, and the lights are made from a grid of glass tiles.
Looking down at a pair of boots with crampons on icy ground.
A photo of a vintage washing machine in a laundromat.
An open air photo of two tiled walls. They’re perpendicular to each other and each end is slanted like the roof of a building.
A neon sign with the word ‘Lumier’ in blue, surrounded by red neon.
Looking up at one of the entrances to the National Theatre. The photo is symmetrical - the corner leads to a stairwell at 45º, and the camera is at the bottom of the stairs.
A photo taken from the banks of baptism river. There’s dry grases in the foreground and sparkles from snow in the air.
A photo of the rear of a vintage studio television camera as the operator would see it. There’s two circular dials lower down, and a small CRT display in the center. The number ‘3’ is written in marker in the middle.
A photo of Ed Horsford swimming in the Rhine
A macro photo through a circular window looking at several sensing instruments pointing at a coin.
A self portrait of Ed Horsford. There’s a very bright red spotlight next to his head on the wall behind.
Chris reaches up to a large cantilevered overhanging him.
Chris descending in to the bowl of the Ring of Steall. It’s later in the day and the sun is low in the sky. The bowl is already in shadow. There’s a small windy stream at the base of the bowl.
Chris walking along the Devil’s ridge towards the camera. He’s on one side of a sharp snowy ridge.
Chris walking ahead of camera, with several snowy mountains ahead of him.
A photo at sunrise of Ed Horsford sitting on a grassy hill with a cup in hand looking over a hill.
PIeces of concrete are suspended between lengths of steel in a regular grid pattern.
Ed and Chris pose together facing the camera on the edge of Aonach Mòr. Both are wearing green jackets and are tied together with a green climbing rope.
A photo taken from the side of US highway 61.
The exterior of the Barbican conservatory.
Photo of a newspaper spread.
A long strip of paper is held up between two hands, with holes punched along the length spelling the words ‘infrastructure club’.
Ed and Chris stand in silhouette towards a very right and golden sunset.
A photo taken from behind as Chris walks ahead. The sun is directly ahead causing Chris to be mostly silhouette with brightly lit edges of his body. The surrounding countryside is fresh with evergreen trees and a snowy mountain in the background.
A woman in distress is given an IV.
The peak of Ylliwedd seen in the distance in shadow.
A sunrise photo taken from midway up Snowdon, facing the sun. There’s a still lake on the bottom, reflecting some of the sunrise.
The jagged face of snowdon before sunrise. The mountain has a light dusting of snow on the top.
Chris crosses a series of tall rocks pointing straight up in the air like crystals.
A projector projects repeating patterns on to the trees on a far riverbank.
A sheep looks directly at the camera.
Several vintage TVs stacked together display abstract brightly coloured slogans.
A photo of a small warning beacon on a pier. The beacon is painted in white and green stripes. Ed Horsford is stood on a ladder near the top, looking at the camera.
A bright colourful view of an alleyway. The alley ends in a large mosaic.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
18 small white arrows are painted on a stretch of tarmac. They all point the same way.
Looking out from high up at the 25 de Abril Bridge and Village Underground.
Looking up at a series of angled windows from a lookout.
White steel beams in the shape of rectangles 50′ tall are spaced regularly 20′ appart. The camera looks up from the corner at the regular white grid this makes against the blue sky.
Looking sideways at a road and bicycle path. In the background a white fence blocks the view, but is partially broken revealing some tall grass behind.
Looking down a staircase in a train station. The base of the stairs has an irregular tiled pattern.
Looking up at the top of a tower block on the Golden Lane estate. The block has contrasting patches of bright white and yellow.
Many brightly coloured abstract forms are suspended from the ceiling of a pale blue room.
Several specimens in glass jars in a display case at the Pharmacy museum in Basel.
A photo of several streets and pavements taken from above. It looks closer to a model than a real street scene.
Looking up at the peaks of some mountains in Montserrat. The rocks are bulbous and separated like molten lumps.
A large neon sculpture comprised of multiple overlaid words. All parts are lit up.
A large neon sculpture comprised of multiple overlaid words. Only some words are lit up.
Feathers spin quickly at night. They’re lit from below, and look almost like smoke.
Chris in silhouette against an empty hillside, facing the sun as it sets.
Looking up an ominous rock formation near Scafell Pike
Two groups of climbers walk towards the horizon in snow. The sky is foggy / overcast and blending in with the ground. The climbers are all wearing brightly coloured clothing.
A photo taken in a dark warehouse from above, looking down. There’s a single blue line of light snaking from the floor to the ceiling.
Close photo of rime on rocks at the top of a snowy mountain.
A photo of some snowy rocks on a mountainside. The sun is low in the distance but obscured by snow clouds. There’s flurries of snow all around.
A photo of a Barbican walkway with a pond in the foreground.
Two coloured geometric metal objects rest on a concrete floor.
A video still of two hands manipulating a deck of cards. The hands are a luminous green, and the cards are a pink / magenta colour.
Two people walk across a snowy mountain, each holding an ice axe. There’s two more behind them.
A grid of radio postcards on a wall. The cards are evenly spaced, but each very differently designed. Some have bold typography featuring 5 letter codes. Others depict animals / planes / local scenes.
A photo of James Greig as he takes a photo of some shrubs silhouette against the sun.
The side of a curved covered walkway in the Barbican.
A small tarn in an otherwise featureless landscape.
A photo of a several washing machines in a laundromat. The one immediately in front of the camera has its door open.
A man reading a PaperLater newspaper in a coffee shop.
Two people hold hands in a room. A light shines on them from one side, casting a multi-coloured shadow of them against the wall.
A sunny valley early in the morning. There’s a bit of mist in the background and several layers of mountains visible.
Photo of a PaperLater newspaper on a doormat.