Ultra wide focal length

A photo in a large dark warehouse. The only light is deep red in one section of the warehouse. Several still figures can be seen around.
A cavernous dark warehouse. Several lights can be seen pointed at the floor like spotlights - some red and some white. Several figures can be seen silhouetted in the dark.
A panorama of the bowl of Snowdon taken just after sunrise. The right side of the mountain is bathed in orange sunlight, whilst the bowl and left are still in shadow.
A panorama taken from Aonach Mòr looking towards Ben Nevis. The sky is sunny and deep blue, and there’s a cloud inversion, so the ground isn’t visible.
A small wooden shelter on a snowy mountainside with deep blue sky.
The Glenfinnan viaduct seen from the side.
Chris at the start of the CMD Arete, going down. It’s very snowy with low visibility. The ridge is only just visible.
The Improbable Pedestal at the start of the ledge route. A tall, top-heavy rock stood apart from the mountainside.
A group of climbers on hands and feet climbing the ledge route.
Chris before base of Ben Nevis. He’s got a climbing rope on and axe on the back of his bag, and he’s using a walking pole to point up at the summit.
A hiker on a path with a wide sunny valley behind him.
Oj in the air, mid jump. He’s high up on a mountainside in the bright sun.
A photo looking down a valley in shadow as the sun sets. The right hand cliff is still lit brightly, in contrast to the dark blue rocks below.
Ed and Oj stand at the top of the Pointe de Salles looking north over the valley.
A panorama looking straight at the Pointe de Chardonnière
Oj climbs deeply creased rocks under a deep blue sky.
Looking inside a small chapel. The inside is bare except for a few religious artefacts on a cement table.
A photo taken from one side of a valley facing the other. The opposite face is deeply scarred, with patches of moss green on the upper faces.
A small pond at the head of a stream lit by late afternoon sun and deep blue sky.
A hiker stands still looking at the camera holding bunches of sticks in each hand. He’s lit from behind by golden sunlight.
A figure is lit by glowing embers of a bbq at night. He’s wearing a head torch and looking to the sky. In the background, the last of the daylight is visible on the horizon.
A small tent and a tarp are set up next to each other at night. The camera is close to the ground looking at them, with stars visible in the sky. The left of the frame is bright orange from a nearby fire. There’s trails of sparks crossing the frame from the fire.
A square panorama looking down from high up to the streets of Lisbon. Down the centre of the frame a pedestrian street recedes. At the bottom of the frame is a large road.
Looking up at two exterior sculptural concrete towers in the Champalimaud Foundation. The towers are light grey in an otherwise deep blue sky.
Looking straight on in the interior of the Maat engine room. there’s a large boiler to the left and tall windows in the background. Black pipes descend from above.
Looking up at the ceiling of the Maat engine room. There’s various walkways crossing the room and tall thin glass windows going up to the roof.
An interior photo of some boilers in Maat. The room is filled with pipes of all sizes and is generally painted in bright primary colours.
A photo taken from the exterior walkway of the new Maat gallery. On the right is the glass exterior wall of the gallery with the letters ‘maat’ visible in large white text. On the left the Tagus river and shore of Porto Brandão can be seen through a long cut away in the walkway.
Looking straight on to a bus window. The interior of the window reveals the contents of a small working kitchen. The text ‘village’ is visible in white text in the middle of the window.
Looking up at the exterior of a 5 story building. In the middle on the fourth floor one window and wall is knocked out. A group of fake birds are suspended in the sky as if in flight past the building.
Looking straight-on to the Portugal pavilion. The pavilion has a large suspended roof that curves gently downwards in the centre.
Looking directly up the Torre Galp from just inside the structure. The structure is painted in a light green-blue colour and made of many steel beams. On the right a walkway arcs around the frame.
A wide angle photo looking down an interior staircase to the front door of a building. The staircase is steep, and on either side the walls are covered to shoulder height with blue and white patterned tiles.
A photo taken from a steel footbridge over Baptism river. The camera is facing directly down the bridge.
A panorama taken from the top of High Falls. The falls are partially frozen over with white and frothy ice.
A stepped wooden path descends a dark pine forest.
Looking out the viewing area inside the Frank Lloyd Wright gas station.
A panorama from the banks of an icy river. There’s dark stones littering the riverbed and creamy ice in between.
A view inside an art installation at the Vitra Design Museum. There’s mirrors ahead and on the sides creating an infinite loop. The room is dark, but small squares of light repeat.
Looking towards a window inside the Vitra showroom. The room has a profile like a house with a pointed roof. Inside the room is a long table and bench.
A photo taken from the courtyard of the Vitra Design Museum showroom.
Inside the Vitra Design Museum archive. The room is brightly lit with aluminium shelves on each side receding in to the distance. On the shelves are many different chairs.
A photo of a sculpture in a field. It consists of 12 poles emerging from the earth and pointing upwards. They’re arranged in a row, and are coloured like a rainbow, from green to blue, red, and yellow.
A photo of two light panels displaying photos of microscopic objects.
A large mechanical metal sculpture in a room - made from several car parts.
A dark room filled with many eery metallic sculptures by Jean Tinguely.
A display case in the Pharmacy museum in Basel. Many small specimens can be seen on each shelf.
A panorama of the Rhine taken from the middle of a bridge.
A panorama taken from a bridge over the Rhine at nighttime. There are buildings in the distance lit up and lights reflected in the water.
Looking towards the ceiling of the main atrium of la Sagrada Família. The very top of the ceiling is especially bright from many small lights.
A photo looking directly up at the large hall of la Sagrada Família. There are 8 main support columns that radiate outwards.
A wide angle photo looking down void of the interior of one of a la Sagrada Família tower.
A photo taken from a cable car overlooking a port.
A photo of the olympic stadium in Barcelona. The photo is taken from one end, looking in to the main arena. There are seats all around and the playing field in the centre.
A photo taken on the roof of the Joan Miró Foundation. There are white walls on the side, some with rounded corners. There’s an abstract coloured sculpture in the centre of the terrace.
A wide photo of the main ceiling dome in the Museu Nacional d’Art de Catalunya. There’s intricate murals in the centre, and arches of windows on all four sides.
A photo taken from the roof of the Museu Nacional d’Art de Catalunya, looking out over Barcelona.
The view from the upper cable car station in Montserrat. There’s a yellow cable car on the right, and mountains in the distance.
A view of the town of Montserrat. The cathedral is in the foreground, with mountains looming behind.
A view down a cut v in two rock faces. Both faces are very steep.
A self portrait of Ed Horsford, silhouetted by strong sunlight behind him.
A photo of three very large gold-rimmed mirrors leaning against a wall, with a white building reflected in the background. The photographer’s reflection is centered in the middle.
A photo of a dark room with three wooden display cabinets filled with white objects on one side.
A wide-angle photo of a living room. It’s very bright, with wooden furniture and floral patterns.
Looking down the centre of a covered food market.
Many balloons float above the ground of Trafalgar Square - the balloons are lit like light bulbs.
A wide angle photo of a very tall tree with two colourful maple trees at the base, one orange, one red.
A view inside of a vintage wooden fair ride.
The front entrance to Hammersmith Town Hall. The entrance has staircases on either side.
Looking up at a grand ceiling.
Looking up at a wooden stairwell with large skylight.
Looking down the central courtyard of Priory Green estate.
Looking down the side of a tower block in Priory Green estate.
A photo along some railwaylines. There’s train tracks on the left and three red gas canisters on the right.
A photo looking down on a path curving away.
A photo facing straight on in a kitchen, facing out towards a kitchen. There’s floor to ceiling glass windows, and a smart table in the foreground.
A photo of an original construction prototype made for la Sagrada Família. The model has hundreds of small weights hung from loops of string forming catenary curves. The shape of the curves helped determine the arch shapes and position of supports.
A shot under a covered walkway in the Golden Lane estate.
Chris descends a gently sloping hillside covered in large frost-covered boulders.
Several sheep graze on a grassy mountain side.
A brown and white goat with horns stares straight at the camera, with it’s mouth open. It’s stood on a branch of a tree above the photographer.
Oliver Wooderson stands on the ruin of a building wall looking in to the inside of the ruin.
Wide photo of pale green room with several red mechanical sculptures in the middle.
A photo of a zebra crossing in Basel.
Ed sat on a large rock, overlooking a large and deep valley.
Looking down a field of vines in rows.
A photo taken from high up, overlooking a bend in Baptism river. The river is mostly covered in snow and ice. There’s sparkles in the air from snow flying about.
A small wooden lookout from above the Baptism river.
Macro photo of a roll of paper with small holes punched out of it. The roll is being fed through some machinery.
Red lasers in a dark room form lines that sweep up to a column then down again like threads.
Ed facing away from the camera just before sunrise. He’s got a bright backpack on.
Ed and Chris pose on the other side of a small pond with arms outstretched. The pond is frozen with crystals extending over the surface.
Ed jumping in mid-air. He’s facing sideways.
Ed stands alone at sunrise looking out over the golden hills.
Ed jumping in the air on the summit of Scafell Pike.
Ed climbing up the side of the Ledge route in very white conditions
looking down a snowy hill with low grey clouds. Ed is off to one side walking up towards the camera.
Ed stands facing the camera in a blue jacket and yellow hat.
Ed walking towards the camera, approaching a small stream. It’s just after dawn and the sun is directly in front.
Wide angle photo looking up from the central courtyard at the Torre de Belém. The walls of the courtyard loom on each side, with the main tower in front. The sky is bright blue with no clouds.
Ed in the distance looking down over a snow covered ridge.
Two boots with crampons on are in the foreground descending a steep snowy mountain. Ed can be seen a few meters ahead.
Ed looks back to the camera as he descends a steep snowy ridge.
Two hikers climb a somewhat steep snowy hillside. It’s overcast with flurries of snow around.
Ed stoops low to place a piece of climbing gear in a rockface.
Ed and a guide walk up a snowy mountain on an overcast day. The camera angle is near to the ground looking up at their backs. They’re both connected by a climbing rope.
A photo of a rocky cliff partially covered in snow. There’s strong fog everywhere so the background and bottom of the cliff can’t be seen. There’s a shadow of a person at the tip of the cliff.
Ed hiking uphill on a partially snow covered slope.
Ed looking down at a compass held precisely on a map.
Chris and Ed stand at the top of Fiacaill ridge. The ground is mostly snowy with patches of brown.
Ed drinking from a vacuum flask, with snowy mountainside in the distance. He’s wearing full climbing gear - helmet, harness, rucksack.
Ed and Chris kneel down with ice axes in hand at the top of Stob Coire an t-Sneachda
Ed and Chris with axes in the air on a snowy plateau.
Ed looks out in to the distance, which is misty with low visibility. He’s holding a map and compass, and wearing a bright orange jacket and ski goggles.
Photo looking up a snowy hillside. Ed is in the foreground holding an axe above his head. The sun is nearly directly behind him.
Ed Horsford standing next to the Cairngorm weather station, holding an ice axe over his head. The weather station is completely iced over and there’s very little visibility.
Ed Horsford reading a OS map next to the Cairngorm mountain weather station
A photo of the frosted glass garage door of a fire station. There’s a sign that reads ‘feuerwehr’ (fire department), and a symbol with a red no entry sign.
A photo of a 3-part folding mirror in a bathroom. Reflected in the mirrors are a sink, a bath, and a doorway.
Ed Horsford mid leap whilst crossing a small stream.
A photo of the front of Westminster Abbey at night. The entire front is lit up in bright pastel colours.
Looking straight on to a large control panel in Maat. The panel has a several columns of controls and dials and has a light grey-green surface colour.
Looking up a valley. A path ascends the valley on the right, with Oj walking half way up it.
A hiker walks ahead of the camera silhouetted by afternoon sun ahead. There’s tufty grass all around and no clear path.
Looking directly down a tight stone spiral staircase
A photo of Ed Horsford on a beach. The camera is positioned low down, pointing directly at the water. Ed is in the centre, facing the camera with arms folded.