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Straight-on (45)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: Looking straight on to a bus window. The interior of the window reveals the contents of a small working kitchen. The text ‘village’ is visible in white text in the middle of the window.
Image 2: Facing the exterior of a glass fronted building straight on. There’s a metal spiral staircase with yellow treads connecting the two floors.
Image 3: Facing straight on Futuro House. It’s on the roof of a building on a cloudy night.
Image 4: Looking down a field of vines in rows.
Image 5: Looking straight down a train platform, with tracks on either side. There’s a train on the left hand side.
Image 6: A dark photo looking down a tunnnel in the Barbican.

Signs (21)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A retro looking sign that reads ‘Cosmicar entrada’ with sci-fi looking graphics.
Image 2: A wooden sign points the way along the South Downs way in late afternoon sunlight.
Image 3: A 3D lion and a unicorn made out of tissue paper on either side of a round sign - in the form of the Royal coat of arms. The sign reads “Let’s work together”.
Image 4: A badly rusted metal sign attached to a tree trunk in a woodland. The letters ‘fire’ are just visible.
Image 5: Photo of a vintage poster describing with words and diagrams how to use a rotary telephone. The main reading reads “The best in telephone service is at your fingertips...” with a 6 step diagram for how to use a rotary phone.
Image 6: A single protest sign held high in the air. It’s white with black text. The text reads ‘Please stop. You’re fucking everything up.’

Silhouette (22)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A photo at sunrise of Ed Horsford sitting on a grassy hill with a cup in hand looking over a hill.
Image 2: A sunset over the bay in San Sebastián. There’s trees and signs in the foreground causing many silhouettes to break the sunset.
Image 3: Sunrise over glastonbury festival. The sun is directly ahead silhouetting people walking home.
Image 4: Red lasers in a dark room form even horizontal lines going from bottom left to upper right. A figure is silhouetted in front of them.
Image 5: A hiker stands still looking at the camera holding bunches of sticks in each hand. He’s lit from behind by golden sunlight.
Image 6: A small lighthouse at the end of a pier is silhouette in front of a setting sun.

From below (20)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: Looking up at a series of angled windows from a lookout.
Image 2: Looking up a the corner of the roof of an angled building in late evening light.
Image 3: Looking towards the ceiling of the main atrium of la Sagrada Família. The very top of the ceiling is especially bright from many small lights.
Image 4: Looking up at one of the entrances to the National Theatre. The photo is symmetrical - the corner leads to a stairwell at 45º, and the camera is at the bottom of the stairs.
Image 5: Looking up at the interior of the ceiling in the Jerónimos monastery.
Image 6: Looking directly up the Torre Galp from just inside the structure. The structure is painted in a light green-blue colour and made of many steel beams. On the right a walkway arcs around the frame.

Golden hour (13)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A close photo of the top row of stones of a stone all. The stones all lean to one side. In the background the sun is just setting.
Image 2: Looking straight on down an exterior walkway in the Barbican. There’s a balcony / walkway at the end, and an autumnal tree lit up brilliantly in orange in the afternoon sun.
Image 3: Holding a Beavertown beer can in golden sunset by a group of tents.
Image 4: A stag faces to the left of the camera, partially hidden by ferns.
Image 5: A hiker stands still looking at the camera holding bunches of sticks in each hand. He’s lit from behind by golden sunlight.
Image 6: Ed stands alone at sunrise looking out over the golden hills.

Light (13)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A view inside an art installation at the Vitra Design Museum. There’s mirrors ahead and on the sides creating an infinite loop. The room is dark, but small squares of light repeat.
Image 2: A photo of a light triangular light sculpture. A series of triangles is each lit up in white and bright colours. The triangles recede in to the distance.
Image 3: A photo of a light triangular light sculpture. A series of triangles is each lit up in white and bright colours. The triangles recede in to the distance.
Image 4: Many balloons float above a dark street - the balloons are lit like light bulbs.
Image 5: Many balloons float above the ground of Trafalgar Square - the balloons are lit like light bulbs.
Image 6: Photo of a light sculpture by Dan Flavin in the Kunstmuseum. The sculpture is a long fluorescent bulb stretching between two walls in the corner of a room. The bulb is the only source of light, and gives of a blue and white light.

Patterns (13)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A large black sphere in the corner of a white room. The sphere has a complex detailed texture. The texture is made from iron filings attracted to the sphere.
Image 2: A close cropped detail of the Maat ceiling. the ceiling is in a flowing curved form and covered in small tiles. A cloudless sky can be seen behind.
Image 3: A close photo of many connecting metal rods making a 3d geometric shape.
Image 4: A close photo of some radio-wave insulating foam. The foam is formed in to tall pointy pyramids with pale blue bases and black tips. The pyramids are arranged in a rigid grid - as if the entire floor were spikey.
Image 5: A close photo of a light sculpture. It is made up of small light coloured cubes which are glowing shades of blue and pink.
Image 6: PIeces of concrete are suspended between lengths of steel in a regular grid pattern.

Vintage (11)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: Photo of the front of a vintage radio battery. The battery is brightly coloured with a graphic dark blue, light blue, white and red design. The front text reads “Ray-o-vac radio ‘B’ battery”
Image 2: A vintage electronics pamphlet held in a hand above a piece of vintage electrical equipment. The pamphlet reads ‘Anyone can replace TV tubes’.
Image 3: A photo of the front of a vintage recording device. The device has a label on the front reading “Tapak ‘NewsCaster’ spring-driven recorder”
Image 4: A grid of radio postcards on a wall. The cards are evenly spaced, but each very differently designed. Some have bold typography featuring 5 letter codes. Others depict animals / planes / local scenes.
Image 5: A photo of the rear of a vintage studio television camera as the operator would see it. There’s two circular dials lower down, and a small CRT display in the center. The number ‘3’ is written in marker in the middle.
Image 6: A large vintage suitcase telephone. It has a standard receiver, but the rotary dialer is much larger than normal. The whole unit is about the size of a small suitcase and has a handle on the top. It looks comically large.

Neon (11)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A photo of the artwork Spectral. Many strands of brightly neon coloured cord all run in the same direction, closely spaced.
Image 2: A large neon sculpture comprised of multiple overlaid words. The photo is taken from the side.
Image 3: Four vertical panels are side by side in the dark. They’re light from behind with bright neon colours, projected with shadows of birdcages.
Image 4: A model globe made from red neon tubes.
Image 5: A large neon sculpture comprised of multiple overlaid words. All parts are lit up.
Image 6: A birdcage is hung outside at night with bright green and red leds just behind it. In the foreground the shadows and light are projected on a screen.

Projection (8)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: Five projectors in a dark room project black and white photos on to a wall.
Image 2: A photo of the front of Westminster Abbey at night. The entire front is lit up in bright pastel colours.
Image 3: A projector projects repeating patterns on to the trees on a far riverbank.
Image 4: Four vertical panels are side by side in the dark. They’re light from behind with bright neon colours, projected with shadows of birdcages.
Image 5: A photo looking straight down the covered Beech Street. The photo is dark, with a projection of a solar system on the ceiling.
Image 6: A projector projects repeating patterns on to the trees on a far riverbank.

Reflections (8)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A photo taken looking through a glass shop window to the display inside. The display has multiple model cable cars, but it’s hard to make them out because of many reflections from the windows. The photo has a rather abstract feel.
Image 2: Looking through a glass window with several reflections.
Image 3: A photo of an exterior walkway near the National coach museum. On the right is a glass exterior wall of the building with strong reflections obscuring the inside. On the left are two wide concrete columns supporting the walkway.
Image 4: Looking across a wide lake on a grey day. In the distance is a small industrial boat. The water has regular horizontal dark bands - like a barcode - caused by ripples from a passing boat.
Image 5: Looking up at the exterior of a church window. The surround is made from brown bricks, and you can see the neighbouring building reflected in the window glass.
Image 6: Looking up at a series of angled windows from a lookout.

From above (7)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A photo taken from high up, overlooking a bend in Baptism river. The river is mostly covered in snow and ice. There’s sparkles in the air from snow flying about.
Image 2: A photo of several streets and pavements taken from above. It looks closer to a model than a real street scene.
Image 3: A panorama of Lisbon at night. The streets are filled with yellow and white lights and a suspension bridge can be seen in the distance.
Image 4: A photo taken from a cable car overlooking a port.
Image 5: Looking down on the beaches of San Sebastián from above.
Image 6: Looking down on the red tile roofs of the Alfama neighbourhood

Jumping (6)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: Ed and Chris jumping in the air. The photo is an animation between two frames taken inches apart, giving the pair a 3d quality.
Image 2: Two people at the top of a tor are jumping in the air.
Image 3: Ed Horsford mid leap whilst crossing a small stream.
Image 4: Oj in the air, mid jump. He’s high up on a mountainside in the bright sun.
Image 5: Ed jumping in mid-air. He’s facing sideways.
Image 6: Ed jumping in the air on the summit of Scafell Pike.

Road markings (6)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: Cracked white markings on tarmac. They’re in a regular grid pattern with arrows at one end.
Image 2: A photo of a zebra crossing in Basel.
Image 3: A photo of tram tracks and painted white stripes on a stretch of road.
Image 4: Looking down to a street intersection.
Image 5: 18 small white arrows are painted on a stretch of tarmac. They all point the same way.
Image 6: Looking across to the other side of a street in Getaria. In the central divider there is a red rowing boat.

Taking photos (6)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A photographer wearing a hat composes a photo inside an orange foggy room.
Image 2: Chris kneeling on a snowy plateau taking a photo.
Image 3: Chris taking a photo looking down a sunny hillside. There’s dark clouds in the background.
Image 4: The shadow of Ed Horsford taking a photo with a large camera. His shadow is made up of multiple different colours from light yellow through to green and pink.
Image 5: Chris stood crouched just off path taking a photo of a magenta foxglove.
Image 6: Sunrise over Whernside. Chris stands in the foreground in silhouette, taking a photo of the sun.

High-speed (6)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A round shower of water is frozen in mid air by strobe lighting.
Image 2: A round shower of water is frozen in mid air by strobe lighting.
Image 3: Photo of a water balloon bursting; it is attached to a string like a helium balloon.
Image 4: A round shower of water is frozen in mid air by strobe lighting.
Image 5: A round shower of water is frozen in mid air by strobe lighting.
Image 6: A round shower of water is frozen in mid air by strobe lighting.

Looking down streets (5)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A photo looking up a steep street / alley in Barcelona. There’s an open-air escalator in the middle and steps either side.
Image 2: A narrow street in Getaria, with sunlight on one side.
Image 3: Looking up an alleyway. The foreground is dark and in shadow, but the background is brightly lit by sun. The alley ends with a light coloured building covered in graffiti.
Image 4: A funicular car descending a steep street in bright sunlight.
Image 5: Looking up a narrow street in bright sunlight.
Image 6: A photo looking up a steep street / alley in Barcelona. There’s an open-air escalator in the middle and steps either side.

Self-portraits (5)

A grid of 6 images in a 3 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A self portrait of Ed Horsford. There’s a very bright red spotlight next to his head on the wall behind.
Image 2: A photo of three very large gold-rimmed mirrors leaning against a wall, with a white building reflected in the background. The photographer’s reflection is centered in the middle.
Image 3: A self portrait of Ed Horsford, silhouetted by strong sunlight behind him.
Image 4: The shadow of Ed Horsford taking a photo with a large camera. His shadow is made up of multiple different colours from light yellow through to green and pink.
Image 5: A photo of Ed Horsford on a beach. The camera is positioned low down, pointing directly at the water. Ed is in the centre, facing the camera with arms folded.
Image 6: A self portrait of Ed Horsford. There’s a very bright red spotlight next to his head on the wall behind.

Looking down rivers (4)

A grid of 4 images in a 2 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A panorama of the Rhine taken from the middle of a bridge.
Image 2: A panorama taken from a bridge over the Rhine at nighttime. There are buildings in the distance lit up and lights reflected in the water.
Image 3: Looking down a greenish-blue river, with rotting wooden posts in the foreground.
Image 4: Looking directly down the Urumea river to the next bridge. There’s lots of green trees on each side of the bank, and the water is calm.

Walkways (4)

A grid of 4 images in a 2 by 2 layout. From left to right, top to bottom, the images are:
Image 1: The side of a curved covered walkway in the Barbican.
Image 2: A shot under a covered walkway in the Golden Lane estate.
Image 3: A photo taken from the exterior walkway of the new Maat gallery. On the right is the glass exterior wall of the gallery with the letters ‘maat’ visible in large white text. On the left the Tagus river and shore of Porto Brandão can be seen through a long cut away in the walkway.
Image 4: Looking along a walkway in the Barbican.

Walkways and escalators (4)

A grid of 4 images in a 2 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A photo looking down a long corridor with two moving walkways on either side.
Image 2: A photo looking up a steep street / alley in Barcelona. There’s an open-air escalator in the middle and steps either side.
Image 3: A photo of the base of an escalator in a metro train station.
Image 4: Photo looking up an escalator in to a bright sunny day. There’s someone on the escalator ahead.

Control panels (3)

A grid of 4 images in a 2 by 2 layout. From left to right, top to bottom, the images are:
Image 1: A photo of the front of a vintage ‘tube tester’. The camera is looking directly down on a control panel. There’s dials and inputs all over, with a large swinging gauge in the center.
Image 2: A photo of the front of a vintage recording device. The device has a label on the front reading “Tapak ‘NewsCaster’ spring-driven recorder”
Image 3: Looking straight on to a large control panel in Maat. The panel has a several columns of controls and dials and has a light grey-green surface colour.
Image 4: A photo of the front of a vintage ‘tube tester’. The camera is looking directly down on a control panel. There’s dials and inputs all over, with a large swinging gauge in the center.